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All Journal E-Jurnal Kajian Budaya IPTEKMA HUMANIS E-Journal of Linguistics E-Journal Of Cultural Studies Linguistika Jurnal Kajian Bali ATAVISME JURNAL ILMIAH KAJIAN SASTRA Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Proceeding of International Conference on Art, Language, and Culture Jurnal Ilmiah Sinus International Journal for Educational and Vocational Studies Pangkaja: Jurnal Agama Hindu Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Penelitian Agama Hindu International Journal of Social Science Soshum: Jurnal Sosial dan Humaniora International Journal of Education and Literature (IJEL) Suluh Pendidikan: Jurnal Ilmu-ilmu Pendidikan Sphatika: Jurnal Teologi Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra International Journal of Multidisciplinary Sciences International Review of Humanities Studies Subasita: Jurnal Pendidikan, Bahasa, Aksara dan Sastra Daerah Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi

I Nyoman Suarka

Universitas Udayana, Denpasar, Indonesia

Author-ID : 386632

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Public Health Social Sciences Other

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Materialization And Humanization Of The Spirit: A Contextualization Based On The Stylistic Representation Of The Balinese Hindu Modern Philosophy Gitananda, W.A. Sindhu; Cika, I Wayan; Suarka, I Nyoman; Suka Yasa, I Wayan
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 2, No 1 (2018)
Publisher : Institut Hindu Dharma Negeri Denpasar

The prominent characteristic of the pre-modern and modern philosophical discourse in the archipelago is generalized to that of the spiritualism with the saivistic discourse; including a Balinese modern philosophical text entitled Aji Sangkya. However, the title of the text shows diachronic relationship with the Samkhya Dharsana the so-called Indian (Hindu) materialism with its jargon ‘evolution’. The tension between the discourse of spiritualism and materialism in the text is the main concern of the article based on its stylistic representations. The contextual stylistics and the deconstruction approach provide great opportunities to the Aji Sangkya to be interpreted as well as contextualized. Having elaborated the data, it is found that the text implies the process of materialization of the spirit (purusha or atman) into the circle of material (pradhana), until finally becoming material itself. Nonetheless, this materialization cannot merely be understood as the process with the ultimate goal of materialism, but implicitly of humanization since the human (manusa) comes as the ultimate accumulation of all the philosophical categories. The term related to the materialization must be taken as the process of humanization or making the spirit humanized; the humanism take the middle position between the spiritualism and the materialism in Aji Sangkya, the so-called Balinese Hindu modern text of philosophy.

The Discourse Of Ida Ratu Gede Mas Macaling Dalem Nusa Penida Klungkung (Position, Function and Meaning) Dian Saputra, I Made; Suarka, I Nyoman; Sudipa, I Nengah; Cika, I Wayan
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 2, No 1 (2018)
Publisher : Institut Hindu Dharma Negeri Denpasar

Hindus community in Bali views time as an important matter. The presence of time or Kala is associated with the myth of Magic. The relationship can be seen in the myth of Sasih Ka-enem which is believed to be the phase of epidemic. Often the myth of Sasih Ka-enem is also associated with the discourse of Ida Ratu Gede Mas Macaling as the magi figure of propagator and disaster in Bali. Interestingly, the image of Ida Ratu Gede Mas Macaling Dalem Nusa Penida just seems to be a living myth and "offerings" for balian, pengiring, and mysticism. Recently, many people perceive him as an object of worship, and more various interesting versions of Magi discourse about him growing in society. Because of those reasons, it is important to study the phenomenon into this scientific writing to identify the value and meaning of Magi discourse.

RELIGIOUS IDEOLOGY OF THE TRADITION OF MAKOTEK IN THE ERA OF GLOBALIZATION Pradana, Gede Yoga Kharisma; Suarka, I Nyoman; Wirawan, AA Bagus; Dhana, I Nyoman
E-Jurnal Kajian Budaya (Online Journal of Cultural Studies) Vol 9, No 1 (2016): February 2016
Publisher : E-Jurnal Kajian Budaya (Online Journal of Cultural Studies)

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Makotek is a cultural tradition which is performed as a ritual to ward off misfortune by the people living at Munggu Village, Badung Regency. It is performed once in six months, namely, every Kuningan Feast Day. It has been inherited from generation to generation as an oral tradition. In the era of globalization, many parties and cultural components are involved in its performance. It is still performed until now. However, the people living at Munggu Village do not close themselves to modernity. The data were collected through observation, interview, library research and documentary techniques. The informants were determined using the purposive and snowball technique. All the data were analyzed in order to draw conclusions. The result of the study shows that the religious ideology which has inspired the people living at Munggu Traditional Village to perform the tradition of Makotek. Ideologically, they believe that by performing the tradition of Makotek, they can protect their resources and the human unity in the middle of the social dynamics in the era of globalization. It is performed in stages, in accordance with the tradition they have adhered to since a long time ago. The performance of the tradition of Makotek at Munggu Village has been able to strengthen their belief in the existence of Ida Sang Hyang Widhi, Almighty God. In addition, such a religious practice is the supernatural source of happiness and health as it is believed to be able ward off misfortune.

LONTAR KAKAWIN SIWALATRI SUMBER INSPIRASI DALAM PEMBUATAN PUZZELE DAN KARTU BERCERITA DALAM INDUSTRI KREATIF Novaeni, Gusti Ayu; Putra, Dwi Mahendra; Pratama, Putu Ari Suprapta; Wira Putra, I Made Arik; Suarka, I Nyoman
IPTEKMA Volume 2 No.1 - Desember 2010
Publisher : Bidang Kemahasiswaan Universitas Udayana

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Salah satu naskah dan teks lontar yang dikaji dalam penelitian ini adalah Lontar Kakawin Siwa latri. Kegiatan penelitian lontar ini begitu penting karena dapat menyelamatkan sebuah tradisi dari kepunahannya, yakni tradisi pernaskahan lontar (Sastra lontar) sebagai salah satu aset budaya bangsa Indonesia. Di sisi lain, Lontar Kakawin Siwa Latri mengandung nilai moral yang tentunya perlu ditanamkan pada generasi muda. Melihat perkembangan ilmu pengetahuan dan teknologi saat ini, tentunya hal tersebut dapat digunakan untuk mentransformasikan naskah lontar Kakawin Siwa Latri ke dalam sebuah bentuk kartu bercerita dan sebuah puzzele. Target penelitian ini adalah menghasilkan laporan hasil penelitian dan produk berupa kartu bercerita dan puzzele. Laporan hasil penelitian menyangkut hasil transliterasi teks Kakawin Siwa Latri dari huruf Bali ke huruf Latin dan terjemahan teks Kakawin Siwa Latri dari bahasa Jawa Kuna (Kawi) ke dalam Bahasa Indonesia serta dilengkapi dengan kajian nilai. Keseluruhan target luaran yang diurakan baik berupa laporan penelitian maupun produk berupa kartu bercerita dan puzzele telah tercapai. Bahkan Produk yang dihasilkan berupa kartu bercerita yang berjudul Game 108 dan puzzele yang berjudul Lubdaka Carita tersebut telah diujicobakan kepada siswa SD Dwijendra Denpasar dan anak-anak Panti Asuhan Dharma Jati I Klungkung.

LONTAR KAKAWIN BHARATAYUDHA SEBAGAI BAHAN CERITA BERGAMBAR MENUJU INDUSTRI KREATIF Putra, Dwi Mahendra; Novaeni, Gusti Ayu; Pratama, Putu Ari Suprapta; Putra, I Made Arik Wira; Suarka, I Nyoman
IPTEKMA Volume 2 No.1 - Desember 2010
Publisher : Bidang Kemahasiswaan Universitas Udayana

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Salah satu naskah dan teks lontar yang dikaji dalam penelitian ini adalah Lontar Kakawin Bharatayudha. Kegiatan penelitian lontar ini bertujuan untuk menyelamatkan sebuah tradisi dari kepunahannya, yakni tradisi pernaskahan lontar (Sastra lontar) sebagai salah satu aset budaya bangsa Indonesia. Di sisi lain, Lontar Kakawin Bharatayudha mengandung nilai moral yang perlu ditanamkan pada ge nerasi muda. Melihat perkembangan ilmu pengetahuan dan teknologi saat ini, hal tersebut dapat digunakan untuk mentransformasikan naskah lontar Kakawin Bharatayudha ke dalam sebuah bentuk cerita bergambar. Target penelitian ini adalah menghasilkan produk berupa buku cerita bergambar. Laporan hasil penelitian menyangkut hasil transliterasi teks Kakawin Bharatayudha dari huruf Bali ke huruf Latin dan terjemahan teks Kakawin Bharatayudha dari bahasa Jawa Kuna (Kawi) ke dalam Bahasa Indonesia serta dilengkapi dengan kajian nilai. Keseluruhan target luaran yang diuraikan baik berupa laporan penelitian maupun produk berupa buku cerita bergambar telah tercapai. Bahkan Produk yang dihasilkan berupa buku cerita bergambar berjudul buku “Perang Bharata” telah diujicobakan kepada siswa SD Dwijendra Denpasar dan anak-anak Panti Asuhan Dharma Jati I Klungkung.

RECONSTRUCTION OF WAYANG ORANG DARMA KERTI AT BATU PANDANG: A STRUGGLE FOR IDENTITY IN MATARAM, LOMBOK Seramasara, I Gusti Ngurah; Ardhana, I Ketut; Suarka, I Nyoman; Ruastiti, I Made
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Wayang Orang (the stage show usually with the wayang theme) is a performing art of which the characters are played by people. As a specific Sasak performing art, the wayang orang which is performed in Mataram Lombok, used to use what is referred to as Serat Menak as the story source. However, such a performing art was marginalized and was almost getting extinct. Therefore, the Sasak artists and cultural observers, whom were facilitated by UPTD Taman Budaya Lombok, did their best to save such a performing art by reconstructing it. The performing art which was constructed by IPTD Taman Budaya Lombok was the Wayang Orang Darma Kerti, Dusun Batu Pandang. Such a reconstruction was made in the middle of the struggle for an identity of those living in Mataram, Lombok, who belong to different ethnic groups and religions. This present study was intended to understand the matter pertaining to the reconstruction of Wayang Orang Darma Kerti as part of the struggle for the identity of the people living in Mataram, Lombok. The qualitative method and the theories of deconstruction, multiculturalism, and hegemony were used to analyze the problems of the study. The result of the study showed that 1) there was a desire to preserve Wayang Orang as a local identity, meaning that the desire to reconstruct it was inspired by the Islamic religious value and the Wetu Telu Islamic value; 2) it was reconstructed through several stages; they are observation, inventory, and classification; finally, it was decided to reconstruct Wayang Orang performed at Dusun Batu Pandang, East Lombok in which the puppeteers and dancers from Mataram, West Lombok, were involved; the puppeteers were gathered, the themes were composed, the performance was practiced, and the Wayang Orang was performed; 3) the implication of the reconstruction of the Wayang Orang was that the Sasak ethnic group had an art identity, and religion and culture adapted to each other as the implementation of what is referred to as adatluwirgama, and the local people’s prosperity became better.

POLITICS OF POWER IN MARGINALIZATION OF SASAK GANDRUNG PERFORMING ART IN LOMBOK Trisnawati, Ida Ayu; Suarka, I Nyoman; Parimartha, I Gde; Sugiartha, I Gede Arya
E-Journal of Cultural Studies Vol 9, No 2 (2016): May 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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A change is occurring to the Sasak gandrung performing art performed at Dasan Tereng Village, Narmada District, West Lombok District, West Nuasa Tenggara. The development of the understanding of Islam among the Sasak ethnic people has widely affected the development of such a performing art. The marginalization of the Sasak gandrung performing art cannot be separated from the limited protection given by the government, the strengthening of the religious fundamentalism, and the decrease in the supporting community’s self-confidence. This present study is intended to identify one of the three phenomena of the marginalization of the gandrung Sasak performing art, especially the strengthening of the religious fundamentalism of the waktu lima Islam. The data were collected through observation, interview, and documents which are related to the gandrung Sasak. The data were analyzed qualitatively using the Theory of Social Practice proposed by Pierre Bourdieu. The results of the study show that the strengthening of the religious fundamentalism of waktu lima Islam caused the wetu telu Muslims to convert into waktu lima Muslims. The consequence is that the gandrung Sasak performing art, inherited from generation to generation, has gradually become marginalized. It has not been included in the list of the performing art in West Lombok Regency. The strengthening of the religious fundalism cannot be separated from the wetu telu Islamic teaching which is not in accordance with the waktu lima Islamic teaching, which is based on Al-Quran and Hadist. Such a gandrung performing art is believed to be not in accordance with Al-Quran and Hadist which are believed by the waktu lima Muslims.

RELIGIOUS IDEOLOGY OF THE TRADITION OF MAKOTEK IN THE ERA OF GLOBALIZATION Pradana, Gede Yoga Kharisma; Suarka, I Nyoman; Wirawan, A.A. Bagus; Dhana, I Nyoman
E-Journal of Cultural Studies Vol 9 No 1 (2016): Volume 9, Number 1, February 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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THE DECONSTRUCTIVE SEMIOTICS OF FISHING MANTRA DICTION IN THE BAJO ETHNICS Rita Lindayani, Lilik; Suarka, I Nyoman; Cika, I Wayan; Kebayantini, Ni Luh Nyoman; Putra, Ansor; Samsul, Samsul; Maliudin, Maliudin
E-Journal of Cultural Studies Volume 11, Number 4, November 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Language is a form of human emergency sensitivity to the situation around it. If observed, if the linguistic position is in the semiotic point pattern, then natural signs can be a form of verbal power. Accompanying Nietzsche's thoughts on a strategy he calls "geneology" in historicism, in order to observe the traditions of creativity that exist in society, Nietzsche believes that every creation has a special set of interests for a particular location or context. The Bajo people as a sea tribe in general, including ethnic Bajo who inhabit Katela Island in West Muna Regency, Southeast Sulawesi also establish this creative process in the copyright mantra, which is in the form of sea spells arranged in diction and symbols on signs and codes given by nature. The significant process occurs when spells as something that is believed by the Bajo people in fishing activities have many functions. This study adopts Derrida's Deconstruction theory, in Derrida's view, the core location of deconstruction is deconstruction related to language. If conventional semiotics emphasizes the signification process, namely the functioning of the sign as a reflection of established social codes, then in the poststructuralist semiotics which is emphasized is a significant process, namely a creative creation of signs and codes without and without limited. Keywords: Deconstructive Semiotics, Sea Mantra Dictation, and Bajo Ethnicity

MARGINALIZATION OF BEDEKEH RITUAL PERFORMED BY AKIT ETHNIC GROUP IN RUPAT ISLAND, BENGKALIS REGENCY, RIAU PROVINCE IN THE ERA OF GLOBALIZATON Suroyo, Suroyo; Kumbara, Anak Agung Ngurah Anom; Suarka, I Nyoman; MPSS, Pudentia
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

This present study is intended to explore, identify, comprehend and describe the phenomenon of the bedekeh ritual performed by the Akit ethnic group in Riau Island, Bengkalis Regency, Riau Province in the era of globalization. The Oang Akit (those who belong to the Akit ethnic group) believe that all diseases are believed to result from the interference of invisible spirits or what is locally referred to as Antu (Hantu=Ghost), their ancestors, the treatment of other people or what is referred to as disantet (black magic practice), and curses. The bedekeh ritual is a cultural important element; it is not only performed to stimulate emotion but it is also performed to make the relationship among people and between people and the cosmos in harmony. Globalization has developed human life and changed the people’s way of life, including the Akit ethnic group. The data in the present study were collected using the techniques of observation, in-depth interview, library research, and documentation. Based on what was explored and the method used to analyze the data, it was found that the bedekeh tradition is still performed by the Akit ethnic group; however, its existence is getting marginalized by the internal and external factors. The modern epistemology (Modern-Western) in which rationality is considered more important than other things has caused the therapy performed by the Akit ethnic group to shift. Hegemony resulting from the penetration of the culture belonging to the non Akit ethnic groups has also caused the bedekeh ritual to be marginalized.

Co-Authors A.A. Gde Alit Geria Alit Geria A.A. Gede Bawa A.A. Kade Sri Yudari A.A. Ketut Agung Cahyawan W A.A. Ngurah Anom Kumbara AA. Gede Bawa Admin OJSIkip Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Anak Agung Raka Asmariani Ardjani, Ni Luh Artayani, Ida Ayu Gede Aswandikari S Bagus Wahyu Sudhyatmika Bawa, Anak Agung Gde Cerita, I Nyoman Desak Putu Andi Suarmini Dewa Gede Bambang Erawan Diah Savitri, Putu Dian Saputra, I Made Dr Pudentia Dra Dafirah Duija, I Nengah Dwi Mahendra Putra Erna Supriathi, Ni Kadek Farhaeni, Mutria Fauzan Al Jundi Fransiscus Bustan Gde Artawan Gede Indrawan Gede Yoga Kharisma Pradana George Mentansan Gitananda, W.A. Sindhu Gusti Ayu Novaeni Hamiruddin Udu I Gde Parimartha I Gede Arya Sugiartha, I Gede Arya I Gede Mudana I Gede Oeinada I Gusti Ayu Sri Widiantari I Gusti Ngurah Seramasara, I Gusti Ngurah I Gusti Ngurah Sudiana I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Darmana I Ketut Jirnaya I Ketut Muka I Ketut Setiawan I Ketut Sudewa I Made Agus Oka Gunawan I Made Arik Wira Putra I Made Arik Wira Putra I Made Dian Saputra I Made Dian Saputra I Made Gede Anadhi I Made Suastika I Made Sukma Manggala I Made Suyasa I Made Wijana . I Nengah Duija I Nengah Duija, I Nengah I Nengah Sudipa I Nyoman Darma Putra I Nyoman Dhana I Nyoman Kutha Ratna I Nyoman sukiada I Nyoman Suwana I Nyoman Weda Kesuma I Nyoman Weda Kusuma I NYOMAN WIJAYA I Nyoman Winyana, I Nyoman I Putu Gede Suyoga I Wayan Ardika I Wayan Cika I Wayan Mulyawan I Wayan P. Windia I Wayan Suardiana I Wayan Suharta I Wayan Suharta, I Wayan I Wayan Suka Yasa I Wayan Suwena I Wayan Suwena I Wayan Tagel Eddy Ida Ayu Gede Artayani Ida Ayu Istri Agung Dharmayanti Ida Ayu Kade Sri Sukmadewi, Ida Ayu Kade Ida Ayu Laksmita Sari Ida Ayu Trisnawati, Ida Ayu Ida Bagus Gde Putra Ida Bagus Jelantik Ida Bagus Kade Gunayasa Ida Bagus Made Wisnu Parta Ida Bagus Nyoman Mantra Ida Bagus Oka Wedasantara Ida Bagus Rai Putra Igaa Mas Triadnyani Jro Made Gede Aryadi Putra Juliana, I Wayan Kamidjan Kamidjan Ketut Widya Purnawati Komang Adi Sastra Wijaya Komang Paramartha Kumiko Shishido Kusuma Wardana, Kadek Lilik Rita Lindayani Made Dian Saputra Made Narawati Made Paramasuta Wijaya Maliudin, Maliudin Maria Matildis Banda MPSS, Pudentia Muh Alifuddin Muhammad Badaruddin Ni Ketut Ratna Erawati Ni Luh Gede Meilantari Ni Luh Nyoman Kebayantini Ni Made Indiani Ni Made Ruastiti Ni Made Wiasti Ni Nyoman Karmini Ni Nyoman Kartini Ni Nyoman Seri Astini Ni Putu Diah Astriningsih Ni Wayan Ardini, Ni Wayan Ni Wayan Sumitri Ni'mah, Mamluatun Novena Ade Fredyarini Soedjiwo Nuriarta, I Wayan Nyoman Adiputra Nyoman Kutha Ratna OJSIkip, Admin Parahita Nugraha, Gemara Adhiyasa Pujana, Ida Bagus Anom Wisnu Putra, Ansor Putu Ari Suprapta Pratama Putu Diah Savitri Putu Eka Maharani Putu Gede Sridana Putu Sanjaya Putu Titah Kawitri Resen Rahmat Sewa Suraya Raka Asmariani, Anak Agung Rema I Nyoman Rianti Simbolon Rudi Irawanto Rustiani, Komang Wahyu Samsul Samsul Sanjaya, Putu Setya Yuawana Setya Yuwana Silvia Damayanti Sri Marheni, Komang Sri Martini Subrahmaniam Saitya, Ida Bagus Sugiarta, I Gde Arya Suka Yasa, I Wayan Suroyo Suroyo Suryadi Suryadi Syamsul Arifin Tadjudin Maknun TATI NURHAYATI Tjokorda Rai Sudharta Wayan Nurita

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