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Conclusive Confession

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"Yes, I admit it. I hated him. His hackneyed shenanigans robbed me of my dignity for years. I played the buffoon, while he squandered a fortune on his vulgar appetites. That's why I framed Krusty. I would've gotten away with it too if it weren't for these meddling kids."
Sideshow Bob, The Simpsons, "Krusty Gets Busted"

Mystery fiction is a staple of almost every medium available, from Anime & Manga to Comic Books to Literature, Films, and TV Shows, and even Western Animation. No surprise, given that mysteries offer the viewer/reader a puzzle to solve, and will allow them to feel clever if they solve it at the same time or even before the detective.

Of course, there is the Fair Play Whodunit, where the audience is given all the clues they need to solve the case. However, while a Great Detective can make the motives and means clear with a recap of the evidence that has been presented to the audience, showing how they tie together, there is one element that really drives the point home; a killer who has been caught, and presented with the evidence of their crime(s), decides to confess, laying out the final pieces of the puzzle which the detective may have missed, such as how they pulled off an elaborate ruse, or why they did it in the first place.

Not every detective story provides a killer's confession, usually relying on the Dénouement delivered by the master sleuth to explain everything. But there can be an added satisfaction to having the killer confess after being caught, either to acknowledge just how much evidence there is against them or to compliment the detective as a Worthy Opponent (often a Fair-Play Villain).

This is not an Engineered Public Confession, where trickery gets a confession out of the killer, or an Idiotic Partner Confession. The Conclusive Confession comes after the evidence has been laid out. This may well be when the killer believes that their actions were justified because they were dealing with an Asshole Victim. In some cases, the confession comes with an apology if some innocent party is caught in the middle of it all. In some cases, it is useful narratively to assure people that the correct killer was indeed caught, given the number of Red Herrings that must look convincing in order to make the mystery a challenge.

Some variations may have the villain confess as they prepare to eliminate the detective/police officer who has solved the case, only to either have backup show up to save them at the last second or have it be part of the plan to get their confession on tape. It usually overlaps with Saying Too Much and/or Bond Villain Stupidity at that point.

This is often driven by the need to make a cathartic ending to the case and the story. Often in Real Life criminals would only confess in front of the cop's desk — assuming they aren't going the "lawyer" route.

In instances where the Great Detective is pitted against a Master Criminal, a Moriarty to their Holmes, this can overlap with Touché.

In some cases, the killer really will be sympathetic, and if it is not the official police investigating, they may be Let Off by the Detective, particularly in cases of domestic abusers, rapists, and blackmailers.

Often follows The Summation for when it's the detective explaining the trail of evidence. May overlap with Leave Behind a Pistol when the guilty party is given a chance to write out his confession before committing suicide.

Compare with The Perry Mason Method, when a lawyer catches a witness in a lie and badgers them until they confess in open court.

As this concerns crime and detective fiction and confessions by the killer(s), Beware of Unmarked Spoilers.


Examples:

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    Anime & Manga 
  • Ace Attorney (2016): The trial of Maya Fey for the murder of Dr. Turner Gray ends, as in the original trilogy, with Mimi Miney being proven to be the real murderer. But while confessing, the culprit reveals a detail no one in court expected; that she had been blackmailed by Morgan Fey into committing the murder in the first place.
  • Case Closed: Happens Once an Episode in the anime. The general structure of the mysteries follows a recurring pattern, where Conan and co. will stumble upon a crime, Conan will investigate it, and then he'll knock out someone (usually Kogorō) to deliver the run-down. When this happens, the perpetrator will always find themselves backed into a corner, forced to deliver a public confession to the entire group about the crime and why they committed it, often involving a tragic backstory of how the victim deserved it. They'll be successfully apprehended, and the case is closed.
  • Death Note has an Internal Reveal version. While the reader knows all along that Light is Kira, only in the very last chapter, once he knows he's been Out-Gambitted with no way out, does he confess it to the Investigation Team.
  • The Kindaichi Case Files: Since the general premise of this franchise is in mystery-solving (usually murder is involved), the guilty party confessing their crime(s) and the motive behind said crime(s) after being presented evidence that points to them as the culprit(s) happens Once an Episode.

    Fan Works 
  • Elementary My Dear Natsuki: A fanfic serving as what the author calls a "Braided Novel", characters from My-HiME are in the setting of Sherlock Holmes, with Shizuru in the role of Great Detective and Natsuki as her chronicler. In the second installment, "Come Natsuki, the Game is Afoot", Natsuki and Shizuru catch Gregory Dashiell in the act of playing ghost to drive his brother-in-law, Col. Warburton mad. However, he wanted to be caught, because he knew, and Shizuru explained to Natsuki later, that his efforts to play ghost would lay credence to his reveal, that his late wife and Col. Warburton had engaged in Sibling Incest, and Warburton had killed his sister, Dashiell's wife, in order to avoid giving in to that temptation again. Confronted with his sins, Warburton confesses, then, when Shizuru reassures him that her employer, Warburton's daughter, won't learn of her father's shameful secret, he kills himself.
  • Move Aside, Make Way for Ultra Despair: First Class Trial; while initially denying it aggressively, when evidence is presented that proves only Svetlana Blomgren, the Ultimate Ballerina, could have murdered the first victim, she gives in and admits it, claiming it was a crime of passion (partly due to Sanity Slippage) and all she really wanted was to leave the centre and find out what Monokuma did to her sister.

    Films — Live-Action 
  • After the Thin Man: When David reveals himself to be the one who murdered Robert, he admits he did so because he was in love with Robert's wife Selma and was jealous of him. He also killed two other people when they found out (Nick Charles figures it out when David claimed he remembered one of his victims from six years ago having a mustache, but he didn't).
    David: All right, it's true, every word of it. I've hated her, hated them both ever since she threw me over for Robert. I've been planning and waiting and watching for the time to come when I could get even with them for ruining my life. I killed Robert, but not the way I wanted to! It was too quick, too easy! I wanted to see him suffer like the way he made me suffer! (to Selma) I wanted to see you hang. I wanted to see you go gradually madder and madder and madder until the day finally came when you were going to hang.
  • Clue: In the true ending, when Wadsworth is laying out the cases against each of the culprits, Mrs. White admits to strangling Yvette with a quiet, "Yes. I did it. I hated her soooo much..." With the rest of her confession Played for Laughs, and when he points out Miss Scarlet's involvement in another murder he asks, "True or false?" To which she enthusiastically says, "True! Who are you, Perry Mason?"
  • Star Trek VI: The Undiscovered Country: Kirk realizes, and reveals after he and Dr. McCoy are rescued from Rural Penthe, that Valeris was one of the conspirators acting against him and the Enterprise crew to sabotage the peace talks with the Klingons. Valeris initially tries to deny it, until Kirk shows evidence that it was her, and her Vulcan logic has her abandon her pretense while attempting to appeal to Spock, saying she'd tried to tell him before everything had happened.
    Lieutenant Valeris: I did not fire. You cannot prove anything.
    Captain James T. Kirk: Yes, I can. At my trial, my personal log was used against me. How long did you wait outside my quarters before I noticed you?
    Lieutenant Valeris: [to Spock] You knew? I tried to tell you, but you would not listen.

    Literature 
  • And Then There Were None: The confession comes in the form of a letter left behind by the killer, Justice Lawrence Wargrave. Wargrave admits in the letter that he had wanted to kill someone for some time but also wanted to ensure that he did not kill an innocent person. His position as a member of the court gave him access to cases where people who were certainly guilty were freed on technicalities or lack of evidence. He chose his victims based on his absolute belief in their guilt and then killed them in what he believed in order of ascending severity, such as granting his first victim (who accidentally killed some children while hot-rodding) a swift death, noting that the young man wasn't capable of calculating a deliberate murder, or even understanding his own guilt, and finishing with a young governess who deliberately allowed the child under her charge to drown with the hopes of allowing his uncle to inherit the full family fortune and be free to marry her, with her death being that of the noose. Wargrave then shot himself after writing the confession, knowing he deserves to die as well for what he's done.
  • Can You Solve the Murder?: If the detective has enough evidence and accuses the right suspect at the Summation Gathering, the murderer initially listens in silence, but is soon "desperately trying to hold in something that refuses to be contained". An angry outburst is then followed by a lengthy confession retelling the killer's side of the story.
  • Lord Darcy: Downplayed at the end of Too Many Magicians. After Lord Darcy has provided The Summation and the murderer has surrendered, the murderer asks to make a statement and deposition for the court; however, since Darcy has just explained everything, the story skips over the actual statement.
  • The Name of the Rose: The concluding dialogue between William and Jorge where each fills the gaps in the others's story is long enough to fill an entire chapter and walks the line between Worthy Opponent and You Bastard!. Given that the killer still has a hidden trick at hand, it ends up a case of I Surrender, Suckers!.
  • Rivers of London: In Whispers Under Ground, Peter is interrogating the killer, an artist who had been learning a method of ceramic crafting from those living under London alongside the victim, with enough evidence to at least make him the prime suspect. The killer then confesses, explaining that his motive was jealousy after the victim did a better job of making a ceramic plate than the killer did. He even cements his guilt by saying that the murder weapon, the plate he made that came out flawed, didn't actually break until after he struck the victim, after which he used one of the broken shards to fatally stab him. Peter mentally notes that they came this close to the case collapsing before that part of the confession (since if the plate had shattered before the murder, the killer could have plausibly said someone else used the shard to stab the victim).
  • Sherlock Holmes: As with so many detective stories, Holmes was no stranger to this. The Great Detective would lay out the case so soundly and thoroughly against the culprits that many of them saw no point in trying to deny their guilt after that, some even suggesting that Holmes was clairvoyant.
    • Jefferson Hope, from A Study in Scarlet, was the first, but not last killer that confessed to Holmes' interrogation, but felt he was acting against a group of Asshole Victims.
    • "The Adventure of the Abbey Grange" has Holmes confront Capt. Jack Crocker about the murder of Sir Eustace Brackenstall. Sir Eustace was a Domestic Abuser, and Crocker had witnessed an instance of this abuse firsthand, then killed the Lord when he came after him as well. Holmes tells Crocker he has 24 hours to leave London, and then he will give his name to Scotland Yard. Crocker refuses, not wanting to bring any solution that will harm Lady Mary Brackenstall, whom he fell in love with during her voyage from Australia to England, though she did not, at the time, return his affections. It turns out that Holmes's offer was a Secret Test of Character, and Crocker's loyalty to Lady Mary left an impression. He asks Watson to serve as a juror and lays out the evidence. Watson declares Crocker not guilty by reason of self-defense, and Holmes tells Crocker that in one year he may return for Lady Mary, as he doubts Scotland Yard will tie him to the crime, and they believe it was petty burglary.
  • A Study in Emerald by Neil Gaiman has the confession from the killer arrive as a letter for the lead detective, Professor James Moriarty. The killer, one Sherlock Holmes, explains that he and his companion, a doctor of some literary skill, had been acting against the Eldritch Abominations that ruled this Crapsack World, and that they'd lured him with the promise of a young girl fresh from a convent. Holmes adds that the girl did not exist, but if she had, the victim, and Half-Human Hybrid, would have sucked her dry of her mind and essence. He adds that the note is not a "catch-me-if-you-can", because he is long gone, but as a warning of just what sort of things Moriarty is being employed by.
  • Whose Body?: Most of the last chapter is a lengthy confession written by the murderer after he realises Lord Peter is onto him, explaining exactly what he did and how and why, with the intention of leaving it behind while he places himself beyond the law's reach. His propensity to gloat about his own cleverness is his undoing; the police catch up with him when he's in the middle of adding a second self-congratulatory postscript.

    Live-Action TV 
  • Castle:
    • "Ghosts" has Susan Mailer confess to killing Cynthia Dern, but only because Dern was planning to kill her and make her the villain in a "Tell-All" book Dern was having ghostwritten to put public sympathy on her side before she came out of hiding for an act of eco-terrorism years before.
    • "Little Girl Lost"; when Theresa Candela sees her adoptive daughter Angela returned home, she knows she's busted, as she'd faked the abduction to divorce her husband and take full custody by making him seem like an unfit parent to the authorities. She rails at Alfred for always plopping their child in front of the T.V. while he went to paint, while Theresa herself was working overtime to keep the family afloat financially.
    • In "Demons", the police detective who had committed the original murders that gave a "haunted house" its reputation, as well as the paranormal investigator looking into the house 20 years later, admits his scheme to Beckett and Castle after he disarmed them, preparing to knife them both to fit the legend of the house. Unfortunately for him, they'd anticipated this and prepared a camera that was shielded from his jamming device, as well as having a group of armed uniformed officers ready to take him down after he admitted his role.
    • "A Chill Goes Through Her Veins" zigzags this. There were two murders, that of a young mother, found five years after her disappearance, frozen solid, her body dumped at a construction site, and her husband, murdered eight months before her corpse was found. During the investigation, they learn that the husband had murdered the wife. Then they conclude that the husband was murdered himself by his father-in-law, who frames his confession as a carefully worded hypothetical situation, to avoid directly implicating himself to the police. It's suggested he will stand trial for killing his daughter's murderer, but with a Hope Spot that with the amount of time that's passed, and a sympathetic jury, he might not be convicted.
      Ben Davidson: Well, you could certainly understand how a father might want to. How he might follow his daughter's murderer one dark night, when he was sure no other people would be around. How he might confront him with a gun he'd brought back from the war. Might even promise forgiveness in exchange for the truth. And, hearing his admission, be overcome with rage.
  • Law & Order: In "Survivor", Judith Sandler confesses tearfully to murdering coin dealer Campbell after it's revealed that the rare coins he was supposedly holding for businessman Peterson, and were stolen from her family during the Holocaust, were never in Peterson's possession. He and Campbell researched the coins and claimed he'd had them for collateral on his first business venture.
  • Law & Order: SVU: "Monogamy" has a doctor who assaulted his estranged wife, cutting the unborn child from her womb, then killing the infant. She had been having an affair, and he justified the attack in his own mind by saying the child wasn't his. He also claimed the child was deceased in the womb, and so under New York law he cannot be charged with murder. However, when the D.A. shows him a DNA test performed on the baby's body, proving he was the father, the D.A. then presses him.
    Alexandra Cabot: You held your own child in your hands, your own living child. Did he cry? Did your son cry before you killed him?
    Dr. Richard Manning: [visibly broken] He only cried a little. He only cried a little.
  • The Mentalist: "Flame Red" has Tommy Olds caught setting a fire, but as he is believed to have Down Syndrome, the others believe him to be acting under duress or under someone's orders...until he drops the charade when Patrick Jane demonstrates that Tommy has read and is familiar with Moby-Dick, a novel Jane points out that college students often have problems with. Tommy admits to burning the victim alive, because the victim, a local police officer, had done the same to a friend of his a few years earlier to seize his property and money for the ends of the town.

    Video Games 

    Visual Novels 
  • Phoenix Wright: Ace Attorney: Twice in Case 4. First, after Phoenix proves his identity in court, Yanni Yogi drops his facade and confesses to murdering Robert Hammond and trying to frame Edgeworth for the crime. Second, after his Villainous Breakdown, von Karma calms down enough to explain his actions.
  • Phoenix Wright: Ace Attorney – Justice For All:
    • At the end of "Turnabout Big Top", after he's proven to have killed Russell Berry, Acro calmly explains the tragic circumstances that led him to try and kill Regina Berry, with her father having been killed instead by mistake, and tearfully lament that he is nothing more than a murderer.
    • Crucially subverted in "Farewell, My Turnabout", Adrian Andrews not confessing to the crime and insisting she didn't do it in spite of all of the evidence Phoenix presented is what tips him off that Adrian is innocent, which is what leads to him discovering that his client really is the murderer.

    Western Animation 
  • Clue Club:
    • "Who's To Blame for the Empty Frame" has the villains confess when the Clue Club team reveal that they found the stolen painting in the workshop of their suspect, the repairman for the museum. "It's no use, Harvey, they've got us."
    • "The Dissolving Statue Caper", Larry lays out the clues for the case so thoroughly that the culprit can only confess that he had swapped out a statue for a sculpture made of spun sugar, which was then dissolved by his pet monkey with a hose. All he can do is confess and ask a friend to care for the monkey for him, as he prepared for prison.
    • "The Missing Pig Caper" has the villain of the episode, who stole a girl's prize-winning pig to sell him to a wealthy epicurean, confess as he laments not being able to collect the small fortune he would have gotten when the pig is returned to its owner.
    • "The Amazing Heist" has this twice over, when Larry reveals that 1). The rock band on stage was guilty of lip-synching, which the band leader admits, justifying it saying he needed to protect his vocal cords for the future, and 2). The stagehand built the device that dropped the crown into a space below the stage into a waiting dumpster. He confesses, with his employer declaring that she was the rightful queen of Delirium where the crown came from and that it was rightfully hers, not that of the nation that deposed her.
  • Garfield's Babes and Bullets: After Sam Spayed learns that O'Tabby was an insomniac who needed sleeping pills to sleep, he knows that O'Felix lied to him about O'Tabby falling asleep at the wheel of his car (at least, not without some aid from O'Felix, who slipped the pills into O'Tabby's coffee). Spayed goes to confront O'Felix, who is kneeling in prayer at the University chapel.
    Spayed: Asking for Forgiveness, Professor?
    O'Felix: For what it's worth, Mr. Spayed, I just didn't have anything left to lose.
  • Scooby-Doo: This is ubiquitous in the entirety of the series, to the point where it would actually be simpler to list aversions or subversions, as Once an Episode, upon revealing the clues that solved the case, a villain will confess by saying "And I would have gotten away with it if not for You Meddling Kids and your dog."
  • The Simpsons: After Sideshow Bob was revealed by Bart to have framed Krusty the Clown for armed robbery, he confesses, saying he watched Krusty squander a fortune on his vulgar appetites while he was forced to play the buffoon. As he's being hauled away by the police, he even remarks, "Treat kids as equals, too. They're smarter than you think. They were smart enough to catch me!"


"Yes, I did it. I edited the tropes. And I'd do it all over again. Dangling participles don't fix themselves, and it had to be done."

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