Article Per Year (5 Year)
p-Index From 2020 - 2025
0.23
P-Index
This Author published in this journals
All Journal E-Jurnal Kajian Budaya E-Journal Of Cultural Studies JADECS (Journal of Art, Design, Art Education and Culture Studies)
I Nyoman Sukerna, I Nyoman
Unknown Affiliation
Arts Humanities

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
TRANSFORMATION OF TRADITION OF BARONG NGELAWANG IN TOURISM AREA OF UBUD, GIANYAR, BALI Sukerna, I Nyoman; Wirawan, Anak Agung Bagus; Kumbara, Anak Agung Ngurah Anom; Sukerta, Pande Made
E-Jurnal Kajian Budaya (Online Journal of Cultural Studies) Vol 9, No 1 (2016): February 2016
Publisher : E-Jurnal Kajian Budaya (Online Journal of Cultural Studies)

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Globalization carries new values and touches all aspects of life, one of which is  the tradition of barong ngelawang. This present study is intended to discuss the pattern of transformation, ideology and meaning of the tradition of barong ngelawang in the tourism area of Ubud, Gianyar, Bali. The study views the tradition of barong ngelawang as a text of which the context, why and how it is performed should be understood. The theory of social practice, the theory of ideology, and the theory of semiotics were used to analyze the data. The descriptive and interpretative method was employed. The result of the study shows that the tradition of barong ngelawang in Ubud was transformed from being a scared performance into a secular performance, and from a secular performance into a sacred performance. The transformation also took place in the space dimension. The ideologies which led to the activity of barong ngelawang were the religious ideology and solidarity ideology. The secular activity of barong ngelawang was dominated by the ideology of creativity and the economic ideology. From the ideological context, the meanings which could be revealed from the activity of barong ngelawang were the religious meaning and artistic meaning. From the superstructure context, the meanings that could be revealed were the social stratification meaning, the job description meaning, and the educational meaning. From the infrastructure context, the meaning which could be revealed was the economic meaning.
TRANSFORMATION OF TRADITION OF BARONG NGELAWANG IN TOURISM AREA OF UBUD, GIANYAR, BALI Sukerna, I Nyoman; Wirawan, A.A Bagus; Kumbara, A.A. Ngurah Anom; Sukerta, Pande Made
E-Journal of Cultural Studies Vol 9 No 1 (2016): Volume 9, Number 1, February 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Globalization carries new values and touches all aspects of life, one of which is  the tradition of barong ngelawang. This present study is intended to discuss the pattern of transformation, ideology and meaning of the tradition of barong ngelawang in the tourism area of Ubud, Gianyar, Bali. The study views the tradition of barong ngelawang as a text of which the context, why and how it is performed should be understood. The theory of social practice, the theory of ideology, and the theory of semiotics were used to analyze the data. The descriptive and interpretative method was employed. The result of the study shows that the tradition of barong ngelawang in Ubud was transformed from being a scared performance into a secular performance, and from a secular performance into a sacred performance. The transformation also took place in the space dimension. The ideologies which led to the activity of barong ngelawang were the religious ideology and solidarity ideology. The secular activity of barong ngelawang was dominated by the ideology of creativity and the economic ideology. From the ideological context, the meanings which could be revealed from the activity of barong ngelawang were the religious meaning and artistic meaning. From the superstructure context, the meanings that could be revealed were the social stratification meaning, the job description meaning, and the educational meaning. From the infrastructure context, the meaning which could be revealed was the economic meaning.
Keplithet : Sebuah Komposisi Musik Akustik Gamelan Dalam Pertunjukan Virtual Muhammad, Bagas Surya; Sukerna, I Nyoman
JADECS (Journal of Art, Design, Art Education & Cultural Studies) Vol 8, No 2 (2023)
Publisher : Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um037v8i22023p152-163

Abstract

Penelitian ini membedah karya berjudul “Keplithet”, sebuah karya komposisi gamelan ciptaan Setyawan Jayantoro.  Melihat keadaan yang belum memperbolehkan penyelenggarakan konser musik secara langsung, memaksa konser musik dilakukan secara virtual, dengan segala keterbatasaanya.  Untuk itu Setyawan Jayantoro sebagai pengkarya mencoba untuk menghadirkan pengalaman estetika ruang akustik pada video publikasinya, seperti halnya menonton secara langsung.  Penelitian ini bermaksud mengungkap model penuangan ide komposisi musik akustik Gamelan pada pertunjukan Virtual di masa Pandemi Covid-19, kemudian bagaimana Setyawan Jayantoro menghadirkan bunyi dan suasana ruang bunyi yang autentik dalam dokumentasi karyanya. Dalam pengumpulan data, penulis menggunakan metode kualitatif, dengan pengumpulan data melalui wawancara dan sebagai partisipan observer.  Hasil penelitian menunjukan bahwa Setyawan Jayantoro dalam karyanya ingin mengungkap bahwa dalam permainan gamelan Jawa terdapat teba garap bunyi yang luas, ketika keluar dari kebiasaan kebiasaan konvensional yang mengikat, seperti halnnya pithetan yang membatasi bunyi dalam permainan gamelan tradisi.  Dalam menghadirkan ruang akustik, Setyawan Jayantoro sangat memperhatikan integrasi dalam tata ruang, tata suara, dan tata reproduksi suara yang dinyatakan pada dokumentasi karya yang dipublikasikan.  Penelitian ini berkontribusi dalam membuka peluang baru bidang komposisi gamelan yang ditampilkan secara virtual, sehingga pola integrasi estetika ruang akustik sajian pertunjukan gamelan virtual dapat diketahui dan digunakan oleh peneliti lain dalam melakukan kajian sejenis terutama bidang kajian estetika ruang bunyi gamelan dalam format rekaman digital.
Co-Authors Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Muhammad, Bagas Surya Pande Made Sukerta, Pande Made