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All Journal Rubikon: Journal of Transnational American Studies Lakon : Jurnal Kajian Sastra dan Budaya International Journal of Humanity Studies (IJHS) Journal of Language and Literature Journal Of English Language and Education Jurnal Komunikasi Adabiyyat: Jurnal Bahasa dan Sastra Prosiding Seminar Nasional Multidisiplin Ilmu Anaphora: Journal of Language. Literary and Cultural Studies JOLALI: Journal of Language and Literature
Adhitya, Galant Nanta
Universitas Respati Yogyakarta
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Social Sciences Other

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MENINGKATKAN MINAT BACA DAN MINAT BEREKSPRESI MELALUI KELAS LITERASI DAN KELAS STORYTELLING Desy Astuti, Yolanda Nadiandiru Susilo, Galant Nanta Adhitya, Novi Wulandari, Anis Paramita,
Prosiding Seminar Nasional Multidisiplin Ilmu Vol 2, No 1 (2020): Tetap Produktif dan Eksis Selama dan Pasca Pandemi COVID-19
Publisher : Universitas Respati Yogyakarta

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Abstract

Survei yang diretas berbagai lembaga seperti Kemendikbud dan Indeks Aktivitas Literasi Membaca tahun 2019 menunjukkan peningkatan melek huruf masyarakat Indonesia. Namun, budaya literasinya masih rendah, yang berkaitan dengan rendahnya minat baca. Hal ini berimbas pada ditinggalkannya budaya mendongeng. Berpijak pada keprihatinan terhadap isu tersebut, tim pengabdi menyelengarakan kelas literasi dan mendongeng guna menumbuhkan kecintaan anakanak dengan kebiasaan membaca serta mengasah kemampuan mengekspresikan diri mereka. Bertempat di Domby Kid’s Hope Gajah Wong, sebuah LSM Non-Profit Pusat Pengembangan Anak (PPA) yang didirikan oleh Yayasan Pelita Bangsa Jogja bekerjasama dengan Compassion International. Secara umum, pelajaran yang diperoleh peserta sama dengan yang diterima di sekolah, namun mereka juga dibekali dengan pengembangan minat dan bakat. Kegiatan pengabdian berfokus pada anak usia 13 - 16 tahun, dengan pertimbangan bahwa mereka dapat membaca dengan lancar. Kegiatan dilaksanakan selama 7 kali tatap muka dengan durasi 120 menit per sesinya. Setelah pelatihan selesai, dapat disimpulkan bahwa diperlukan pendekatan yang sesuai dengan peserta untuk menarik minat baca mereka. Setelah minat peserta meningkat, mereka semangat dalam mengikuti pelatihan, yang mempengaruhi penyerapan materi yang diberikan, dan berimbas pada kepercayaan diri. Hal tersebut memberi pengaruh positif pada kemampuan literasi mereka, seperti pada saat kompetisi mendongeng. Agar minat baca dan bercerita peserta tidak pudar, tim pengabdi menginisiasi adanya “Pojok Baca” untuk keberlanjutan kelas literasi.
TERTAWA TERBAHAK-BAHAK KALA PANDEMI COVID-19: ANALISA HUMOR DALAM LAWAKAN TUNGGAL KEVIN HART ZERO F**KS GIVEN Mira Novanda,Joseph Jonathan L Turadokend, Galant Nanta Adhitya, Devi Rosmawati,Tiara Salma Fainnayl
Prosiding Seminar Nasional Multidisiplin Ilmu Vol 3, No 1 (2021): Strategi Mempertahankan Kualitas Penelitian dan Publikasi di Era Pandemi
Publisher : Universitas Respati Yogyakarta

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Abstract

Sebuah virus SARS-CoV-2 ditemukan pada Desember 2019. Tiga bulan kemudian, WHO menamai penyakit yang disebabkan oleh virus tersebut COVID-19. Virus yang menyerang saluran pernafasan ini menyebar dengan cepat menyebabkan pandemik global. Untuk mencegah infeksi, pemerintah di seluruh dunia mendorong warganya untuk menjaga jarak dan tidak berpergian. Harus melakukan aktivitas dari rumah, termasuk bekerja dan belajar, serta tidak bisa berkumpul dengan keluarga dan teman yang tidak tinggal dalam satu rumah berdampak pada kesehatan mental. Untuk membunuh waktu, hiburan yang dapat diakses dari rumahlah yang dijadikan sebagai distraksi. Salah satu media hiburan yang mengalami peningkatan jumlah pengguna yang pesat adalah layanan peraliran. Selain menawarkan berbagai program, seperti film, serial TV dan acara TV, banyak media peraliran yang juga menyajikan konten orisinil. Netflix, misalnya, memproduksi lawakan tunggal spesial yang dibintangi oleh Kevin Hart, berjudul Zero F**ks Given. Penelitian ini bertujuan untuk menganalisa humor yang digunakan Hart untuk memicu tawa. Data dikumpulkan dengan menonton acara di aplikasi Netflix dan mencatat takarirnya. Dilakukan dengan metode deskriptif kualitatif, penelitian ini menggunakan teori klasifikasi humor Richard Shade serta teori implikatur Herbert Paul Grice. Temuan penelitian menunjukkan hanya ada 7 dari 12 jenis humor verbal, dengan satir yang paling sering muncul. Sedangkan, implikatur yang lebih sering digunakan oleh Hart adalah konversasional karenakan makna tersirat yang dihasilkan cocok dengan satir.
Colonial Remains in Indonesian Fashion Blogipelago Galant Nanta Adhitya; Novi Wulandari
Journal of Language and Literature Vol 20, No 2 (2020): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1164.475 KB) | DOI: 10.24071/joll.v20i2.2611

Abstract

This article aims to expose the colonial remains in Indonesian fashion blogipelago. It analyzes five Indonesian fashion bloggers: Anaz Siantar’s Brown Platform, Claradevi Handriatmaja’s Luce Dale, as well as Olivia Lazuardy’s, Ayla Dimitri’s and Sonia Eryka’s eponymous blogs. Since fashion blog exists in the interconnected cyberspace, this article is conducted under the scope of Transnational American Studies, approached with postcolonial theory. It then uses descriptive qualitative method in interpreting data gained from the aforementioned data, as well as the secondary ones. The finding comprises that the colonial remains are thus vividly apparent through the use of fashion blog formula by writing in English, wearing seasonal fashion, and shooting street photography abroad. This set of formulae helps Indonesian fashion bloggers to win the audience over. Therefore, the colonial remains in Indonesian fashion blogipelago are equally internalized both by the bloggers and the audience.
FASHION AND COMMODIFICATION: AN ANALYSIS ON THE GLOBAL PHENOMENON OF SUPREME Winda Eka Pahla Ayuningtyas; Galant Nanta Adhitya
Rubikon : Journal of Transnational American Studies Vol 8, No 2 (2021)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1063.716 KB) | DOI: 10.22146/rubikon.v8i2.69692

Abstract

Globalization is the global information spread and people interconnectivity. It is driven by technological developments in transportation and communication, removing cultural boundaries among nations. Cultural differences are increasingly less tangible and visible in all cultural products, including in fashion. Due to globalization, fashion brands that originate in a certain country can open stores across multiple continents. The invention of the Internet further widens their accessibility by consumers in any part of the world. However, globalization also brings an affordability gap between the upper and the lower classes. Nonetheless, fashion brands can also take advantage of this economic difference in appealing to their consumers. One of those brands is Supreme. Founded in 1994, it became the most sought-after hypebeast brand among street-fashion enthusiasts worldwide. How do they do it in less than 30 years is interesting to analyze. To answer this objective, this article is conducted from the cultural studies standpoint and the case study method. There are three formulas of positioning it adopts in order to grow globally: (1) the commodification African-American community, (2) the use of celebrity endorsement, and (3) the hype of limited-edition releases. Supreme sells oversized streetwear, heavily influenced by Hip-hop culture, a music genre rooted in the lives of African Americans. The brand makes use of celebrities, especially rappers, to endorse its clothes and accessories. It also continually makes headlines by releasing limited-edition products as well as collaborating with well-known figures and brands.
STREAMING LAUGHTER: A LINGUISTIC ANALYSIS ON VERBAL HUMOR IN KEVIN HART’S STAND UP COMEDY SPECIAL ZERO F**KS GIVEN Galant Nanta Adhitya; Devi Rosmawati; Tiara Salma Fainnayla
Rubikon : Journal of Transnational American Studies Vol 9, No 1 (2022)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (806.832 KB) | DOI: 10.22146/rubikon.v9i1.73550

Abstract

A novel coronavirus was found on December 2019. WHO named the disease caused by this virus COVID-19. The respiratory virus has been spreading rapidly, causing a global pandemic. To prevent infection, governments all over the world compel their citizens to maintain physical distance and stay at home. Having to do all activities, including working and studying, from home and not being able to gather with family and friends, who do not live in the same household, took a toll on people’s mental health. They thus relied on entertainments accessible at home to avoid boredom and stress. An entertainment medium seeing a significant increase in users is streaming services. Besides offering post-launched movies, TV series and TV show, every streaming service nowadays also produces original contents. Netflix, for example, created a stand-up comedy special starring Kevin Hart, called Zero F**ks Given. The researchers thus aim to analyze the verbal humor Hart uses to incite laughter. The data are collected by watching the show on Netflix website and note-taking its subtitle. Using descriptive qualitative method, this research employs Richard Shade’s theory on humor classification as well as Herbert Paul Grice’s theory on implicature. The findings show there are only 7 out of 12 verbal tumor types, with satire being the most frequent one. Additionally, Hart uses conversational implicature more as it is greatly suitable with satire in inciting laughter.
DESIRING DOMINATION: A POSTFEMINIST STUDY ON THE LYRICS OF LANA DEL REY’S ULTRAVIOLENCE ALBUM Galant Nanta Adhitya; Nadia Lasari
Rubikon : Journal of Transnational American Studies Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (368.212 KB) | DOI: 10.22146/rubikon.v6i1.61488

Abstract

Feminist movements are said to have served their purposes and achieved equality, empowerment, and emancipation for women. America thus enters the era of postfeminism. A redefined image of independent and free-spirited yet feminine women is brought through popular cultural products, creating a shift in the view of 21st century American women, one of which can be seen from their response toward male domination. It is expressed in the lyrics of songs compiled in Lana Del Rey’s Ultraviolence album. This study employs descriptive qualitative method by treating the lyrics with the same approach as poetry. The data are in the form of language features, such as words, phrases, clauses, lines, and verses related to women’s response to male domination. McRobbie’s notion of double entanglement allows this study to borrow the feminist concept of male domination. There are five male dominating conducts found in the lyrics: 1) marginalization in “Sad Girl”; 2) subordination in “Shades of Cool”, 3) stereotype in “The Other Woman”; 4) physical and psychological violence in “Ultraviolence”, sexual violence in “Fucked My Way Up to the Top”; 5) domestic workload in “Old Money”. Meanwhile, the women’s response toward male domination is expressed in “Brooklyn Baby”. The progressive postfeminists approach male domination differently from the conservative feminists. The female speaker of the lyrics comprehend that her men’s conducts are dominating her, yet she receives them with a manner full of desire. For her, every relationship has the luxury to define their own rules as long as there is a consensual agreement from both parties involved.Keywords: domination; lyrics; postfeminism; postnational; women
BERAGAM GAMBARAN MENGENAI ETNIS KETURUNAN CINA PADA KARYA TERJEMAHAN KEVIN KWAN’S KEKASIH KAYA RAYA Galant Nanta Adhitya; Nandy Intan Kurnia
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 6 No. 1 (2017): Jurnal Lakon
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (113.152 KB) | DOI: 10.20473/lakon.v6i1.6790

Abstract

Abstrak: Penelitian ini berkaitan dengan topik multikulturalisme pada karya sastra dengan menunjukkan beragam penggambaran yang berbeda antara keturunan Cina Amerika, Cina Singapura dan Cina Daratan, pada karya Kevin Kwan yang telah diterjemahkan, yakni berjudul Kekasih Kaya Raya. Penelitian ini adalah penelitian deskriptif kualitatif. Data dari penelitian ini adalah dalam bentuk fitur-fitur kebahasaan yang terdapat pada karya, Kekasih Kaya Raya, seperti kata, frase, klausa, kalimat dan paragraf yang berkaitan dengan topik multikulturalisme. Hasil penelitian adalah sebagai berikut: (1) keturunan Cina Amerika digambarkan sebagai sosok yang hemat dan egaliter; (2) keturunan Cina Singapura digambarkan tertutup dan komunis-individualis; dan (3) keturunan Cina daratan digambarkan boros dan menganut paham Konfusius-Komunis.Kata kunci: karya sastra, multikulturalisme, keturunan Cina daratan, keturunan Cina Singapura, keturunan Cina Amerika Abstract: This research aims to discuss the topic of multiculturalism in literary texts by showing the different portrayals of the Chinese, especially the American Chinese, Singaporean Chinese and Mainland Chinese as seen in Kevin Kwan’s translated novel, Kekasih Kaya Raya. This is a descriptive qualitative research. The data are in the form of language features, such as words, phrases, clauses, sentences and paragraph related to multiculturalism expressed in China Rich Girlfriend. The findings are as follows: (1) the American Chinese are portrayed as frugal and egalitarian; (2) the Singaporean Chinese are secretive and mixed communitarian-individualist; and (3) the Mainland Chinese are spend-thrifty and believe in Confucius-Communist.Keywords: Literary text, Multiculturalism, Mainland Chinese, Singaporean Chinese, American Chinese
Fashioning The Gays: A Representation Study on the Gay Protagonists in the 2000s Gay-themed American TV Series Rudy Rudy; Galant Nanta Adhitya
Journal of Language and Literature Vol 22, No 2 (2022): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (581.263 KB) | DOI: 10.24071/joll.v22i2.4667

Abstract

This study focuses on the relationship between fashion and the gay community by observing the 2000s American TV series with gay characters as the protagonists. It intends to explain the way fashion is portrayed and its significance for gay culture. It can contribute to theory enrichment in cultural, literary and media studies. It would also increase people’s knowledge about fashion in and for the gay culture. This research incorporated the main data in the form of dialogues as well as pictures of scenes showing fashion worn by the gay characters obtained from Will Grace (1998-2006), Queer as Folk (2000-2005), Six Feet Under (2001-2005), and Some of My Best Friends (2001). By applying Hall’s representation theory to analyze the data, this study discovers that the gay protagonists in the 2000s gay-themed American TV series are portrayed as fashionable people, who think of fashion as their pride. However, the fashion used in portraying gay characters has shifted from the effeminate looks that are mostly composed of women’s clothes. Instead, they are still seen concerning with their appearance, but their exploration of fashion is sticking to men’s clothes. This portrayal has two essential significances for the gay community. It affirms the modish of their identity, while at the same time refusing the feminine stereotype.
An Appraisal Analysis on Joe Biden’s Rhetoric of Gun Control Bagas Al Fajri; Zanuwar Hakim Atmantika; Galant Nanta Adhitya
Rubikon : Journal of Transnational American Studies Vol 9, No 2 (2022)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (594.927 KB) | DOI: 10.22146/rubikon.v9i2.77904

Abstract

The recurring gun violence in the U.S. has been a prevailing issue for a long period. To tackle these, the government has implemented various policies and regulations. However, a transformation is nowhere to be seen. Having advocated for a change is Joe Biden, the president of the United States. In the light of recent unfortunate occurrences, Biden delivered a public speech that addressed this issue. This study aims to understand and thoroughly comprehend Biden’s speech using appraisal analysis, in which the elements of appraisal are used to classify the terms within Biden’s speech. This research uses qualitative methods, and it is concluded that it is clear from the performed research and supplementary data in the preceding sentence that Biden's speech contains a total of 37 evaluative items. 19 of these appraising items are positive, while 18 are negative. 19 of these appraising items are positive. This study found 12 findings for each of the appraisal parts of affect and appreciation, 7 findings of Judgment-social esteem and 6 findings of judgment-social sanction. Upon analyzing, it is found that Biden’s speech contains numerous meanings, some of which are how he is saddened by the unfortunate event, and subsequently advocates transformation on gun regulation in the future years. In conclusion, Biden’s position on gun issues as president of the U.S. is that the owner and the regulation, not the gun, are the issue.
AMERICAN DREAM IN THE EYE OF ASIAN IMMIGRANTS: A GENETIC STRUCTURALISM ANALYSIS OF KEVIN KWAN’S RICH PEOPLE PROBLEMS Galant Nanta Adhitya; Apriliana Hapsari
International Journal of Humanity Studies (IJHS) Vol 6, No 1 (2022): September 2022
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v6i1.5197

Abstract

East, South, and Southeast Asians are often treated inferiorly in the U.S. Aggregately, the COVID-19 pandemic has brought racial issues against them to the surface. Thus, literature on and/or about inferior minorities needs to be written by authors who belong to them. It is because literary works are not created in a vacuum. External factors have a hand in their creation. Kwan’s Rich People Problems serves as the closure for the Crazy Rich Asians trilogy. As a Singaporean-born author who immigrated to the U.S., he is exposed to the American Dream myth. This research then aims to discover how he internalizes it in the novel. Employing Goldmann’s Genetic Structuralism, it operates the structuralism approach through the Marxist lens. It utilizes Kwan’s social class to determine his worldview manifested in the structure of the novel. While the novel is the source of primary data, his biography collected from relevant sources becomes secondary data. His take on American Dream crystalizes in form of the characterization and plot of the novel. He appends the characters with backstories and improvements. They are embedded with determination, perseverance, hard work, loyalty, and reinvention, revamping their poor beginnings into rich entrepreneurs, experts, employees, and trophy spouses.
Co-Authors Achmad Munjid An Nur, Fitrinanda Angie Kristiawan, Yohanes Apriliana Hapsari Apriliana Hapsari, Apriliana Asmara, Shenja Nanta Bagas Al Fajri Cyrilla Fathimatuzzahra Dahlia Kartika Ariesita Devi Rosmawati Enjelin, Eka Meysel Fantasiya Nurul Huda Hariyanti, Nunik Ida Rochani Adi Liana, Ni Luh Ayu Mufid Salim, Mufid Nadia Lasari Nandy Intan Kurnia Novi Wulandari Novi Wulandari Ntamwana, Simon Putri, Erischa Rahayu Rudy Rudy Rustono - Tasin, Lydian Florina Tiara Salma Fainnayla Tri Septa Nurhantoro, Tri Septa Winda Eka Pahla Ayuningtyas Yohanes Angie Kristiawan Zanuwar Hakim Atmantika Zanuwar Hakim Atmantika