Images of Organization
Abstract
As Martin Jay notes in his Downcast Eyes, the optical mechanism of vision has been understood principally as a biological function, at least since the time of Kepler whose work was instrumental for establishing the modern laws of the biological physics of human seeing. According to these laws, we are able to see because light rays are transmitted through the cornea and the lenses of the eyeball to the rear of the retina. This visual information is then passed on to the human brain through the optical nerve. The brain then processes this information and produces an 'image', which we are able to see with the impression that the object in question is 'in front of us'. Image, light, vision, perception. It's a biological process like any other.
Key takeaways
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- Human vision is a complex biological process involving light, retinal processing, and brain interpretation.
- Scientific inquiry often requires dissection to understand vision, but this can lead to shock rather than enlightenment.
- Buñuel and Dalí's 'An Andalusian Dog' uses shocking imagery to challenge conventional perceptions of reality.
- The text critiques the absolutism in how we perceive and interpret images of reality.
- Seeing is influenced by cultural and historical contexts, complicating the notion of objective scientific vision.
FAQs
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What role does shock play in surrealist cinema according to recent analyses?
The paper reveals that shock in surrealist cinema, exemplified by Buñuel's 'An Andalusian Dog', aims to challenge conventional perceptions and provoke new consciousness, rather than convey meaning.
How does the concept of the Real intersect with visual perception in the text?
The text elucidates that the Real disrupts the Imaginary's perceived unity, suggesting that visual perception is fraught with complexities that can be disassembled to access deeper truths.
In what ways does the practice of 'cutting' differ between science and art?
The study finds that while science employs 'cutting' for understanding through dissection, art utilizes it to shock audiences and confront the limitations of accepted realities.
How does the historical context affect our understanding of scientific models of organization?
The paper argues that scientific models, particularly in organizational theory, are historically contingent and reflect specific worldviews, highlighting the subjective nature of knowledge.
What does the text suggest about absolutism in relations to visual perception?
The analysis posits that both denial of validity of alternative images and extreme relativism may conceal underlying absolutisms that restrict authentic change in perception.