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Anisa Hawes

Presentations

2022

iPres2022 Glasgow, 18th International Conference on Digital Preservation (September 12-16), "Vanished: Preserving the Carmichael Watson Project Website Offline Using Webrecorder" (with Sara Day Thomson).

Public Engagement in Web Archives Working Group Berlin, 6th World Conference of the International Federation for Public History (August 16-20), "Annotated Access to the Carmichael Watson Project".

2021

Web Archiving & Preservation Working Group Digital Preservation Coalition (December 9), "Using ArchiveWeb.page to capture the Carmichael Watson Project web resource at the University of Edinburgh" (with Sara Day Thomson).

2020

Documenting the Interactive IDFA DocLab, MIT Open Documentary Lab and the Netherlands Institute for Sound and Vision (November 6), "Archiving the Architecture of Saydnaya using Webrecorder".

Networked Art Practice after Digital Preservation ISEA International (October 17), "Preserving net art and online projects using Rhizome's Conifer: curatorial considerations".

Engaging with Web Archives: Opportunities, Challenges and Potentialities
Co. Kildare, Ireland, Maynooth University (September 21-22), "Archiving 1418-Now using Rhizome’s Webrecorder: observations and reflections".

2019

Reshaping the Collectible: When Artworks Live in the Museum
London, Tate (April 3-5), "Preserving the Web: An introduction to Webrecorder".

2018

Web & Social Media Archiving for Community & Individual Archives Briefing Day
London, Digital Preservation Coalition (December 6), "Case Study on Collecting and Curating Digital Posters Using Mixed Approaches" and "How-to: Rhizome’s Webrecorder".

Rhizome’s National Forum on Ethics and Archiving the Web
New York, New Museum (March 22-24), "Webrecorder and Curatorial practice: Experiences and Observations".

UX in Cultural Heritage
London, Ladies that UX (February 27), "Encounters: findings of User Experience testing in the Collecting and Curating Digital Posters project".

2017

Digital Preservation Coalition’s Significance & Authenticity Briefing Day
London, Tate (December 15), "Significance & Authenticity of Web and Social Media-based Design".

Researching Digital Cultural Heritage Manchester, University of Manchester (December 1), "Objects in context: new modes of collecting and curating digital posters".

Archives, Activism and Social Media
Cambridge, University of Cambridge (September 21-22), "Collecting and Curating Digital Posters: Experiences, Challenges, Reflections".

Researchers, Practitioners and the Archived Web
London, Research Infrastructure for the Study of Archived Web Materials/International Internet Preservation Coalition (June 11-13), "Archives Unleashed 4.0 Web Archive Datathon".

Accelerated Art History: Tools and Techniques for a Fast-Changing Art World
New York, College Art Association 105th Annual Conference (February 15-18), "Collecting and Curating Digital Posters: a collaborative pilot study using Rhizome's Webrecorder".

2013

Practice-knowledge: Archive Production, Intervention, Curation, London, Birkbeck University of London (July 5), "Archival Science: compatibility with Practice".

Publications

2019

The Challenge of Collecting Digital Posters and Graphics from the Web: A Roundtable Discussion
(moderator) in Iskin, R. E., and Salsbury, B. (eds.) Collecting Prints, Posters, and Ephemera: Perspectives in a Global World, London/New York: Bloomsbury Academic

2018

Collecting and Curating Digital Posters: a Handbook https://ccdgp.co.uk with Flood, C.
Online handbook exploring new conceptual approaches and practical tools for collecting digital posters and graphics, representing the findings of a Victoria and Albert Museum/Posters Subject Specialist Network project.

2014

Appendix to Brown, S. (ed.) Horst: Photographer of Style, London: V&A Publishing

Exhibitions

2014

Curatorial Assistant Horst: Photographer of Style, Victoria and Albert Museum, London (September 6 2014 – January 4 2015). International tour venues: McCord Museum, Quebec; The Netherlands Photo Museum, Rotterdam; NRW Forum, Dusseldorf.

2012

Curatorial Assistant Queen Elizabeth II: Portraits by Cecil Beaton, Victoria and Albert Museum, London (February 8 - April 22). National tour venues: McManus Gallery, Dundee; Leeds City Museum; Norwich Castle Museum and Art Gallery; Laing Art Gallery, Newcastle.

Education

2011-2017 MA Archives and Records Management University College London
2004-2007 BA Fine Art Central Saint Martins College of Art and Design
2003-2004 BTEC National Diploma Central Saint Martins College of Art and Design
2001-2003 A Levels Art, English Literature and Language, Photography; French (AS)

Employment

2019-date Researcher and web archivist (freelance)
2015-2018 Researcher Victoria and Albert Museum, London
2010-2015 Curatorial assistant Victoria and Albert Museum, London
2009-2010 Archive and Library assistant National Portrait Gallery, London
2008 Archive assistant City of Westminster Archives, London
2007-2008 Research assistant (volunteer) National Portrait Gallery, London

About

Home page for Anisa Hawes, a researcher and web archivist. Scroll down to access CV, within README below.

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