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The Role of Sinden in Wayang Golek: Functions And Challenges Krismayanty, Mayang; Wastap, Jaeni B; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol 9, No 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3262

In this era, the artists who preserve wayang golek are elderly. The urge need of the next generation to continue the journey of this art. Especially a sinden, in this art the role of sinden is very important even almost equivalent to the dalang. There are many young people who already have artist legality, whether academically or not. But rarely are they willing and able to be involved in the realm of wayang golek. This obstacle is related to the very high musical complexity. The focus of this research is to analyze the role of a sinden in wayang golek performances, both in terms of functions and challenges. The method in this research uses descriptive qualitative, with data collection techniques through literature and field study. Literature study is in the form of theses and dissertations. This technique to analyze previous studies related to the object of research. Field study techniques, namely data collection by means of observation, interviews, document collection, and triangulation. The position of sinden in this performance is very important, visual aesthetics and musicality of sinden are very influential on the success of a wayang performance. This is a big challenge for anyone who wants to become a wayang singer. Understanding Sundanese musical knowledge and lakon wayang is the main asset for a sinden. Also the risk of social pressure by facing societys negative paradigm towards the profession of sinden. This study explored more deeply the specific functions and challenges of sinden wayang golek, visually, musically and socially.

Dadung Feast Rite As A Cultural Expression in Legok Herang Village, Kuningan district Retnawati, Nina; Wastap, Jaeni B; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol 8, No 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2824

This research aims to examine the tradition of the Dadung Party in Legokherang village, Kuningan Regency, West Java. A tradition that expresses gratitude to God for the harvest and the entity maintaining the relationship between living creatures and nature. The research method used is qualitative with a dance anthropology approach which is elaborated with choreographic concepts. This research shows that the Dadung Party is an integral part of community life and has been passed down from generation to generation. It also has connections to the Islamic beliefs propagated by the Wali Songo. This ritual involves various stages, such as worship, Rajah Pamunah, and entertainment and ritual equipment that must be adhered to by community participants. This tradition is a preserved cultural heritage and functions as a balance to modern culture. The noble philosophical values contained in the dance at the Dadung Party although this dance does not have fixed movements, the emphasis on expression as a manifestation of feelings is very important. Local cultural continuity is a dynamic part of society, and external cultural influences must be adapted to the worldview and local culture.

Implementation of Panca Curiga as a Method of Interpretation of Rumpaka Texts in Sundanese Culture Gardapandawa, Budi Setiawan; Wastap, Jaeni B; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol 8, No 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2725

Panca Curiga is a method of Sundanese interpretation which is commonly used in understanding texts contained in art, especially in rumpaka songs. The existence of discourse about Panca Curiga in society until now has only been limited to discussion without scientific investigation. Efforts to understand how to interpret rumpaka, especially in art whose creator is unknown, has its own complexities. This can be seen from the rumpaka-rumpaka that appeared before the rise of artistic industrialization, for example in the Sundanese art of pantun or kawih kaulinan barudak. From the results of the study based on the application of Panca Curiga to the rumpaka pantun and kawih kaulinan barudak models, Panca Curiga actually has many similarities with the disciplines of interpretive methods such as Hermeneutics and Semiotics. Therefore, Panca Curiga can be an opportunity to be used to study rumpaka texts in Sundanese art.

Entrainment: Transcendental Condition that Affected with Musical Rizal, Samsul; Wastap, Jaeni B; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol 9, No 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3218

This research examines the phenomenon of entrainment, which is associated with atmospheric phenomenon in meteorology, and is now also used in a persons psychological and neurological state that leads to a state of brainwave synchronization (neural entrainment). In the most extreme conditions, this neural oscillation process will make a person enter the transcendental phase. This research is examined through a qualitative method by conducting a literature study of a number of studies on the phenomenon of entrainment. The findings obtained by researchers and academics related to entrainment can be a source of evidence for this research. The results of the research conducted found that entrainment can be the most logical explanation to explain a number of transcendental phenomenon associated with traditional or modern music. Entrainment is also a scientific explanation for the phenomenon of being possessed by spirit in a number of traditional arts in Indonesia and entrainment also affects human behavior which can reach the most extreme phase when affected by music to the subconscious level. This article is not sufficient to provide a significant explanation for the phenomenon of trance in some traditional Indonesian arts. More proofs, experiments, and literature studies are needed to strengthen the explanation of the phenomenon scientifically.

Implementation of Panca Curiga as a Method of Interpretation of Rumpaka Texts in Sundanese Culture Gardapandawa, Budi Setiawan; Wastap, Jaeni B; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 8 No. 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2725

Panca Curiga is a method of Sundanese interpretation which is commonly used in understanding texts contained in art, especially in rumpaka songs. The existence of discourse about Panca Curiga in society until now has only been limited to discussion without scientific investigation. Efforts to understand how to interpret rumpaka, especially in art whose creator is unknown, has its own complexities. This can be seen from the rumpaka-rumpaka that appeared before the rise of artistic industrialization, for example in the Sundanese art of pantun or kawih kaulinan barudak. From the results of the study based on the application of Panca Curiga to the rumpaka pantun and kawih kaulinan barudak models, Panca Curiga actually has many similarities with the disciplines of interpretive methods such as Hermeneutics and Semiotics. Therefore, Panca Curiga can be an opportunity to be used to study rumpaka texts in Sundanese art.

Dadung Feast Rite As A Cultural Expression in Legok Herang Village, Kuningan district Retnawati, Nina; Wastap, Jaeni B; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 8 No. 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2824

This research aims to examine the tradition of the Dadung Party in Legokherang village, Kuningan Regency, West Java. A tradition that expresses gratitude to God for the harvest and the entity maintaining the relationship between living creatures and nature. The research method used is qualitative with a dance anthropology approach which is elaborated with choreographic concepts. This research shows that the Dadung Party is an integral part of community life and has been passed down from generation to generation. It also has connections to the Islamic beliefs propagated by the Wali Songo. This ritual involves various stages, such as worship, Rajah Pamunah, and entertainment and ritual equipment that must be adhered to by community participants. This tradition is a preserved cultural heritage and functions as a balance to modern culture. The noble philosophical values contained in the dance at the Dadung Party although this dance does not have fixed movements, the emphasis on expression as a manifestation of feelings is very important. Local cultural continuity is a dynamic part of society, and external cultural influences must be adapted to the worldview and local culture.

Entrainment: Transcendental Condition that Affected with Musical Rizal, Samsul; Wastap, Jaeni B; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3218

This research examines the phenomenon of entrainment, which is associated with atmospheric phenomenon in meteorology, and is now also used in a person’s psychological and neurological state that leads to a state of brainwave synchronization (neural entrainment). In the most extreme conditions, this neural oscillation process will make a person enter the transcendental phase. This research is examined through a qualitative method by conducting a literature study of a number of studies on the phenomenon of entrainment. The findings obtained by researchers and academics related to entrainment can be a source of evidence for this research. The results of the research conducted found that entrainment can be the most logical explanation to explain a number of transcendental phenomenon associated with traditional or modern music. Entrainment is also a scientific explanation for the phenomenon of being possessed by spirit in a number of traditional arts in Indonesia and entrainment also affects human behavior which can reach the most extreme phase when affected by music to the subconscious level. This article is not sufficient to provide a significant explanation for the phenomenon of trance in some traditional Indonesian arts. More proofs, experiments, and literature studies are needed to strengthen the explanation of the phenomenon scientifically.

The Role of Sinden in Wayang Golek: Functions And Challenges Krismayanty, Mayang; Wastap, Jaeni B; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3262

In this era, the artists who preserve wayang golek are elderly. The urge need of the next generation to continue the journey of this art. Especially a sinden, in this art the role of sinden is very important even almost equivalent to the dalang. There are many young people who already have artist legality, whether academically or not. But rarely are they willing and able to be involved in the realm of wayang golek. This obstacle is related to the very high musical complexity. The focus of this research is to analyze the role of a sinden in wayang golek performances, both in terms of functions and challenges. The method in this research uses descriptive qualitative, with data collection techniques through literature and field study. Literature study is in the form of theses and dissertations. This technique to analyze previous studies related to the object of research. Field study techniques, namely data collection by means of observation, interviews, document collection, and triangulation. The position of sinden in this performance is very important, visual aesthetics and musicality of sinden are very influential on the success of a wayang performance. This is a big challenge for anyone who wants to become a wayang singer. Understanding Sundanese musical knowledge and lakon wayang is the main asset for a sinden. Also the risk of social pressure by facing society’s negative paradigm towards the profession of sinden. This study explored more deeply the specific functions and challenges of sinden wayang golek, visually, musically and socially.

TARI TOPENG INDRAMAYU SEBAGAI SUMBER INSPIRASI PADA PERANCANGAN VIDEO ANIMASI SEBAGAI MEDIA PENDIDIKAN KARAKTER ANAK Yulisa, Dwi; Herdiani, Een; Wastap, Jaeni B
JURNAL PAKARENA Vol 9, No 2 (2024): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v9i2.62784

ABSTRAKRiset ini bertujuan untuk mengejawantahkan perancangan video animasi yang terinspirasi dari tari Topeng Indramayu, hal ini dibangun atas dasar pembentukan karakter seorang anak usia dini karena, dengan perkembangan teknologi sangat signifikan dampaknya terhadap pergeseran karakter dalam kehidupan sehari-hari. Anak lebih menikmati teknologi seperti hp, tv, youtube, tiktok dan anak-anak cenderung lebih beranimo dengan dunianya tanpa bersosialisasi dengan yang lain. Artinya semakin cepat teknologi itu diserap dan dikonsumsi dengan bebas maka akan mempengaruhi tabiat dan pola pikir. Riset ini menggunakan metode kualitatif untuk menelisik fenomena teknologi bagi karakter anak-anak, studi literatur, observasi dan dokumentasi dapat menambah evidensi untuk membuat inovasi perancangan video animasi kisah Kerta dan Rowa yang di adaptasi dari tari topeng Indramayu sebagai sumber gagasan, lima karakter tari topeng Indramayu yaitu topeng Panji, Pamindo, Rumyang, Tumenggung dan Klana serta menggunakan pendekatan psikologi sosial, dengan menggunakan teknologi sebagai media baru yang banyak disukai anak-anak. Menariknya bentuk kemasan dan mudah dipahami baik dari bentuk visual maupun bahasa yang digunakan. Lewat media tersebut diharapkan dapat membentuk karakter atau kepribadian seorang anak yang lebih baik. ABSTRACTThis research aims to realize the design of an animated video inspired by the Indramayu Topeng dance. This is built on the basis of the character building of an early childhood because, with the development of technology, the impact on character shifts in everyday life is very significant. Children enjoy technology more, such as cellphones, TV, Youtube, TikTok and children tend to be more interested with their world without socializing with others. This means that the faster the technology is absorbed and consumed freely, it will affect behavior and mindset. This research uses a qualitative method to examine the phenomenon of technology for children's characters, literature study, observation and documentation can add evidence to create an innovative video animation design for the story of Kerta and Rowa adapted from Indramayu mask dance as a source of ideas, five Indramayu mask dance characters namely Panji, Pamindo, Rumyang, Tumenggung and Klana masks and using a social psychology approach, using technology as a new media that many children like. The interesting form of packaging and easy to understand both from the visual form and the language used. Through this media, it is hoped that it can shape the character or personality of a better child.

Arts Journalism In The Digital Era: Challenges, Transformations, And Innovative Strategies: CHALLENGES, TRANSFORMATIONS, AND INNOVATIVE STRATEGIES Pribadi, Firman; Wastap, Jaeni B
ARRUS Journal of Social Sciences and Humanities Vol. 5 No. 1 (2025)
Publisher : PT ARRUS Intelektual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35877/soshum3523

Arts and culture journalism in Indonesia faces major challenges in the era of digital transformation, which is characterized by the lack of regeneration of journalists, the dominance of digital algorithms, and economic pressures that shift the focus of news from the substance of art to entertainment. This research aims to analyze the main challenges in the regeneration of arts and culture journalists, understand the impact of media transformation on art reporting, and offer strategic solutions for the revitalization of arts and culture journalism. Using a case study-based descriptive qualitative method, data was collected through in-depth interviews with senior cultural arts journalists and founders of digital art news platforms, as well as document analysis and literature reviews. The results show that the main challenges include a lack of economic incentives, the dominance of social media algorithms that prioritize popularity over depth of analysis, and low institutional support for the cultural arts rubric. However, revitalization opportunities can be realized through digital technology-based approaches, creative strategies such as the integration of pop culture and lifestyle, and collaborations between the media, art communities, and educational institutions. This study emphasizes the importance of applying encoding/decoding (Hall) and gatekeeping (McQuail) theories in understanding the paradigm shift in cultural arts journalism in the digital era, as well as offering a strategic framework to create a relevant, inclusive, and sustainable art journalism ecosystem.

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