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Situs Arjuna Metapa Di Gianyar, Bali: Sebuah Patirthan? Coleta Palupi Titasari; Rochtri Agung Bawono
Berkala Arkeologi Sangkhakala Vol 18 No 2 (2015)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (947.359 KB) | DOI: 10.24832/sba.v18i2.11

Abstract

Every archaeological remain is always found in context with certain space and building architecture. This is also the case with the archaeological finds at the site of Arjuna Metapa at Pejeng Village in Gianyar, Bali. Uncovering a holy bathing place is the focus of this research, which is based on supporting data in form of archaeological data found within the location. The methods being used to solve the problem are divided into two: data collection and data analyses. Data collecting involves surface survey, bibliographical study, and interviews, while data analyses include qualitative-artifactual analysis, comparative and correlation analysis, location/spatial analysis, and physical traces analysis. Data obtained from research and analyses reveal that the Arjuna Metapa Site was a patirthan (holy bathing place) with water spouts, indicated by two spouted statues on Arjuna Metapa pedestal, which are meditating Arjuna spouted statue and angel spouted statue. Supporting data in form of an angel statue, which has similar form and size, was also found at the Village Temple (Pura Desa) of Bedulu. Oral tradition also mentions that the area was known by the name of Uma Telaga and is believed to be a rice field that was previously a lake or bathing place. This is confirmed by the discovery of Air Tiga inscription in that location. The name Air Tiga (air means water and tiga means three) is probably refer to the number of statues found in that location, which is one meditating Arjuna spouted statue and two angels spouted statues.
PENGARUH BANGUNAN UMA LENGGE TERHADAP KEHIDUPAN SOSIAL DAN BUDAYA MASYARAKAT DESA MARIA KECAMATAN WAWO KABUPATEN BIMA Chrisantya Angelita; Renhard Fernandus Manurung; Ni Made Yuni Sugiantari; Adinda Sanita Putri Khinari; Rochtri Agung Bawono
Forum Arkeologi VOLUME 32, NOMOR 1, APRIL, 2019
Publisher : Balai Arkeologi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2268.371 KB) | DOI: 10.24832/fa.v32i1.552

Abstract

Uma Lengge building is traditional building in Bima District West Nusa Tenggara which functions as the residence of Mbojo tribe and place to store food. The study aims to analyze the characteristics and relation of Uma Lengge buildings with the social and cultural life of Maria Village. The approach used in this study is archaeological approach with qualitative descriptive method. The study began with collecting data through literature study, direct observation, and interviews. The trapezoidal part of the roof with legs, has two pieces of crossing each other at each end of the ridge with bamboo material. The door leads to Mecca. The front part of the house may not be faced with another houses. Uma Lengge has three main parts such as the foundation, the first floor and second floors. The building of Uma Lengge has links with social values such as the value of mutual cooperation, value of hospitality, value of deliberation, value of helping and cultural values in Ampa Fare ceremony and inter dowry ceremony. Bangunan Uma Lengge merupakan bangunan tradisional di Kabupaten Bima Nusa Tenggara Barat. Bangunan ini berfungsi untuk tempat tinggal masyarakat suku Mbojo sekaligus tempat menyimpan bahan makanan. Penelitian ini bertujuan untuk menganalisis karakteristik serta keterkaitan bangunan Uma Lengge terhadap kehidupan sosial dan kebudayaan masyarakat Desa Maria. Pendekatan yang digunakan adalah pendekatan arkeologi dengan metode deskriptif kualitatif. Penelitian dimulai dengan melakukan pengumpulan data melalui studi pustaka, pengamatan secara langsung di lapangan, melakukan wawancara untuk data penelitian melalui informan. Diperoleh data pada bagian atap bangunan berbentuk trapesium sama kaki serta memiliki dua buah wanga yang saling menyilang pada setiap ujung bubungan atap dengan bahan bambu. Bagian pintu bangunan arah hadap mengarah ke Mekah, bagian depan bangunan tidak boleh berhadapan dengan bagian depan bangunan di sekitar tetapi bertolak belakang terhadap bangunan lainnya. Bangunan Uma Lengge memiliki tiga bagian utama seperti bagian pondasi, lantai satu dan lantai dua sekaligus atap. Bangunan Uma Lengge memiliki keterkaitan dengan nilai sosial kehidupan masyarakat Maria seperti; nilai gotong royong; nilai silahturrahmi; nilai musyawarah; nilai tolong menolong dan keterkaitan pada nilai kebudayaan dalam kehidupan masyarakat Desa Maria seperti; upacara Ampa Fare dan upacara mengantar mahar.
DORO MPANA: SITUS KUBUR DARI ABAD KE-13-14 MASEHI Ni Putu Eka Juliawati; Luh Suwita Utami; Rochtri Agung Bawono; Ruly Setiawan; Abu Muslim; Aldhi Wahyu Pratama
Forum Arkeologi VOLUME 34, NOMOR 1, APRIL 2021
Publisher : Balai Arkeologi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/fa.v34i1.684

Abstract

Dompu or ‘dompo’ is a kingdom mentioned in Negarakertagama Book which dates to 1365 AD as one of the kingdoms Patih Gajah Mada wanted to conquer. Then, ‘Dompu’ reappears in Gowa Kingdom Chronicle in early 17th century AD. For three centuries it was unknown how Dompu Kingdom was. The findings of ceramics, pottery, human skeleton and dimpa stone at Doro Mpana, have given a hint of a community’s life and its culture in the past. This study aims to uncover the chronology of Doro Mpana as burial site and the burial cultural form. Data collected through excavation, observation and literature study. The data are analysed contextually related to the relation among archaeological data. To find out the absolute chronology, radiocarbon dating analysis was performed in the laboratory. The result shows the site came from 13th-14th century AD. The use of dimpa stones as grave markers is a characteristic of burial rituals, in addition to providing grave goods such as pottery and ceramics. The use of dimpa stones at Doro Mpana indicates the utilization of surrounding natural resources because the source of dimpa stones, which is diorite stones, found not far from the site. Dompu atau ‘dompo’ adalah nama sebuah kerajaan yang disebutkan dalam Kitab Negarakertagama yang berangka tahun 1365 Masehi, sebagai salah satu kerajaan yang ingin ditaklukkan oleh Patih Gajah Mada. Nama Dompu muncul kembali dalam kronik Kerajaan Gowa pada awal abad XVII Masehi. Selama tiga abad tidak diketahui bagaimana gambaran Kerajaan Dompu. Temuan keramik, gerabah, rangka, dan batu dimpa di Situs Doro Mpana, Dompu telah memberi petunjuk adanya sebuah kehidupan masyarakat dan budayanya di masa lalu. Tujuan dari penelitian ini adalah untuk mengungkap kronologi dimanfaatkannya Situs Doro Mpana sebagai penguburan serta bentuk budaya penguburannya. Pengumpulan data dilakukan dengan metode ekskavasi, survei lingkungan, dan studi pustaka. Data dianalisis secara kontekstual terkait hubungan antardata arkeologi. Untuk mengetahui kronologi absolut dilakukan analisis radiocarbondating di laboratorium. Hasil analisis menunjukan situs berasal dari abad ke-13-14 Masehi. Penggunaan batu dimpa sebagai penanda kubur menjadi sebuah ciri khas dalam ritual penguburan di Doro Mpana, selain pemberian bekal kubur berupa gerabah dan keramik. Penggunaan batu dimpa di Situs Doro Mpana menunjukkan pemanfaatan sumberdaya alam sekitar karena sumber batu dimpa yaitu batu diorite ditemukan tidak jauh dari situs.
Pengelolaan Museum Negeri Siginjei Provinsi Jambi Sebagai Daya Tarik Wisata M Rian Indra Eftritianto; I Nyoman Wardi; Rochtri Agung Bawono
Humanis Vol 24 No 4 (2020)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (595.839 KB) | DOI: 10.24843/JH.2020.v24.i04.p11

Abstract

Indonesian Museum was formed by European aristocrats who like to collect ancient objects during the Dutch colonialism, which is useful for preserving, fostering, and developing culture by tracing Indonesian culture. Starting from this, the Van Het Bataviaasch Genootschap Kunsten Wetenschappen Museum was founded on April 24, 1778 which was the first museum in the Indonesian Museum. Museum collections and cultural preservation objects must collaborate with other fields of science such as technology, geography, and history. The museum collection objects in Indonesia can be broadly divided into two types, namely general museums and special museums. The objective to be achieved in this research is to know the strategy of managing the Siginjei State Museum of Jambi Province as a tourist attraction in developing tourism in Jambi Province. The problem of Human Resources (HR) how to overcome it is by including the staff and employees of the Siginjei State Museum of Jambi Province in research and education about museums and foreign language courses. Based on the percentage obtained, 40.20% of respondents were in the number disagreeing with the total number of 725 who chose the category of disagreeing with some of the questions given, while 43.20% were in the number agreeing with the total number of 779 respondents. This percentage can be assumed that many visitors agreed with the management of the museum management and the condition of the Siginjei State Museum of Jambi Province itself.
Tinggalan Megalitik Kecamatan Parado, Kabupaten Bima, Nusa Tenggara Barat: Kajian Bentuk dan Fungsi Akbar Eka Nugraha; Rochtri Agung Bawono
Humanis Vol 22 No 4 (2018)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (259.49 KB) | DOI: 10.24843/JH.2018.v22.i04.p13

Abstract

Sumbawa Islands is one of Indonesian islands with many variety of archaeological remains. These archaeological remains are generally from the megalithic culture. These remains almost spread all over Sumbawa Islands, especially in Parado District, Bima Regency, West Nusa Tenggara. Lack of research in this region is one of the reasons for choosing it. The aim of this research is to know the form, function and relation of the megalithic remains in Parado District with the kind of megalithic remain in Sumbawa Island.This research is an exploration research which uses some methods such as data collection, analysis and theory in order to solve the question. The method of data collection specifically includes observation, interviews and a literature review. The next step is processing the data with morphological, stylistic, contextual and comparative analysis. The theories which are used for solving the question are structural functional and religious theories. The result from analyzing the form and function of megalithic remains shows that these megalithic remains were used for profane and sacred things. The similarities between the form of megalithic remains in Parado District with the kind of megalithic remains in Sumbawa Islands shows that these megalithic remains have a connection. This connection shows that megalithic remains in Sumbawa Islands were from the same culture and periods.
Temuan Manik-Manik Bekal Kubur Di Situs Pangkungparuk, Kecamatan Seririt, Kabupaten Buleleng Ni Made Dwi Andriyani; Rochtri Agung Bawono; Ida Bagus Sapta Jaya
Humanis Volume 17. No. 2. Nopember 2016
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (113.679 KB)

Abstract

North Bali is an area in the northern part of the island of Bali that posses many archaeological remains associated with the burial site. On of them is a diverse variety of goods burial treasures such as beads contained in Pangkungparuk, Seririt buleleng. These archaeological remains are evidence of a civilization that has taken place in this region. The purpose of this study is to determine the typology and technique of manufacture and raw materials used in the manufacture of beads contained in Pangkungparuk village, district Seririt Buleleng regency. The theories used in this research are the theory of typology and structural functional theory. The method used in this study is as follows, the data collection phase is done by observation, interview and literature study, then the second phase is data processing by analyzing data used analytical techniques articatural, contectual analysis, qualitative analysis and comparative analysis. From the analysis it can be concluded that the beads contained in the Site Pangkungparuk have various shapes of beads like round, oblate, double cone which cut the top, double cone concave, elliptical, ovate, flat, and disc cylinder. Technique used in making beads contained on the site pangkungparuk are shaping techniques for spherical beads and printing techniques for double cone beads, while the raw material for making beads vary from natural raw material such as of shells, rocks and pearls as well as raw material made of glass and bronze metal.
Perubahan Fungsi Tinggalan Tradisi Megalitik di Desa Bedulu, Kecamatan Blahbatuh, Kabupaten Gianyar I Wayan Edi Suantara; Rochtri Agung Bawono; Coleta Palupi Titasari
Humanis Volume 17. No. 2. Nopember 2016
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (329.694 KB)

Abstract

Megalithic culture is culture which produces big buildings made of big stone. The megalithic cultural relics are exist in Bedulu Village, Blahbatuh District, Gianyar Regency in form of stone mortar, millstone, menhir, flat stone, natural stone, and sarkofagus. This research was intended to know the function changes of the megalithic cultural relics or heritage in several temples in Bedulu Village, such as: Santrian Temple, Dukuh Santrian Temple, Samuan Tiga Temple, Tegal Penangsaran Temple, Gunung Sari Temple, and the house yard of Gusti Putu Darmi, and also to find out the factors that influence those changes. This research used several data collection methods, data analysis, and theories to support in answering the research problem. The research method used includes data collection by conducting observation, interview, and literature study. The next step was data processing in which the researcher used qualitative analysis, morphological analysis, comparative analysis, and contextual analysis. The theories used to answer the research problem were social changes theory and structural functional theory. The results of the function changes analysis of the megalithic tradition’s relics in Bedulu Village especially in several temples indicate that there was a function change in terms of naming and usability. In terms of naming the changes could be seen from the way how to name the Gods and how to name the celestial bodies. In terms of usability could be seen from the function in which the relics used to be fuctioned as a worshiping pleace for ancestors while nowdays the relics are functioned as mediums to worship to the God (Ida Sang Hyang Widhi Wasa). Those changes were caused by some factors such as, religion factor in which people have already known the God, less information factor from relevant instance, and also ideological factor that is people’s mindset or point of view about archeological heritage or relics especially megalithic relics in the Bedulu Village, Blahbatuh Distric, Gianyar Regency.
Sistem Penguburan di Situs Doro Mpana, Dompu, Nusa Tenggara Barat. Lila Jamilah; I Wayan Srijaya; Rochtri Agung Bawono
Humanis Vol 26 No 1 (2022)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (946.96 KB) | DOI: 10.24843/JH.2022.v26.i01.p12

Abstract

In the Neolithic Period, megalithic cultures emerged that worshiped ancestral spirits, because they were considered to provide welfare and protection to the living. One of the community's activities is the burial of corpses which produces different forms of megalithic buildings. One of the cultural products of the Megalithic tradition is the Doro Mpana site. The excavation findings from 2018 to 2019 were in the form of pottery fragments, ceramic fragments, Dimpa stones, stone artifacts, fragmentary skeletons (skulls, bones and human teeth), and metal objects. The purpose of this study is to understand the burial system and the aspects behind it using religious theory and social stratification theory. Data collection methods consist of observation, interview, literature study, and documentation techniques. Typological, Contextual, Comparative, and Ethnoarcheological analysis methods are also used. The results of this study can reveal the burial system at the Doro Mpana site, namely secondary burial and primary burial carried out in a sitting/folded posture with an orientation (original home of forefather) and a supine position with an orientation (celestial orientation) and accompanied by grave provisions.
Artefak Rijang Situs Gua Pawon Dinar Nurfaridah; Rochtri Agung Bawono; Kristiawan Kristiawan
Humanis Vol 23 No 4 (2019)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (676.805 KB) | DOI: 10.24843/JH.2019.v23.i04.p05

Abstract

Goa Pawon is a prehistoric site that very important to discover the growth of ancient society in the world. Not only found humans remains in Goa Pawon, but we also found so many artefacts and ecofact remains, one of the artefacts is a tool from chert. This research is intended to discover the variety type of chert tools and to uncover what is the function of every type of chert tools that used to sustain human life in Goa Pawon. Data collecting method used for this research is bibliography study, observation, and interview. All the finding then collected and analyzed. Research method used for this research is typology analysis method, and function analysis method. Typology theory, functional theory and behavior archaeology theory is use by the researcher to be the basic idea about the type and function of rijang that used by the humans of Goa Pawon. The findings of chert artefacts in Goa Pawon is split into two category, waste category and tools category. Waste category has flakes, debitage, and core. Tool category has edge scrapper, notched scrapper, end scrapper, danticulated scrapper, high-back scrapper, lancipan dan multi tools. All the tools in this site have so many form and made typical adjusted to what is for. Tendency for rijang is used to process animals, for example is pointer that was function to make a hole on animal bone and animal tooth and made to be a jewelry, and notched scrapper that used to dredge a molusca, Pelecypoda type.
Konservasi Wayang Golek Elung Bandung Koleksi Museum Wayang Kota Tua Jakarta Ramzy Rabany; I Nyoman Wardi; Rochtri Agung Bawono
Humanis Vol 24 No 3 (2020)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (525.596 KB) | DOI: 10.24843/JH.2020.v24.i03.p06

Abstract

Puppet in Indonesia as a world masterpiece has been established by UNESCO on November 7, 2003 in Paris, as a cultural heritage whose conditions for values ??and cultural existence must be preserved. One type of puppets that have been determined is West Java puppet show made from wood. The objectives to be achieved in this study are, concerning the causes of damage and conservation methods that have been carried out by the Jakarta Old Town Puppet Museum in conservation efforts. Data collection techniques in this research are observation, interviews, and literature study. Besides using several theories and data analysis in answering research problems, namely museum management theory and conservation theory, as well as using qualitative analysis, quantitative analysis, material analysis, and physical environment analysis. Bandung Elung puppet show in the Jakarta Old Town Puppet Museum suffered some damage, namely broken joint joint threads, fading colors, fashions appearing, and the loss of the Elung Bandung puppet show. The damage is caused by environmental factors, micro-organisms, and human factors (dissociation). Conservation actions undertaken by the museum in the preservation of wayang golek, namely preventive conservation by cleaning, using silicagels, lighting, temperature and humidity in vitrin / storage media. Curative conservation is carried out by fumigation to kill the activity of micro-organisms in the collection. As for the conservation of restoration, it is done by painting, connecting, gluing and patching which is done by conservators and wayang golek craftsmen.