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All Journal Abdi Seni Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Gelar : Jurnal Seni Budaya Suluh: Jurnal Seni Desain Budaya
Budiwiyanto, Joko
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Perancangan Interior Study Room Cafe di Surakarta Dewi, Adinda Amartya Sukma; Budiwiyanto, Joko
SULUH: Jurnal Seni Desain Budaya Vol 7, No 2 (2024)
Publisher : Universitas Islam Nahdlatul Ulama Jepara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34001/jsuluh.v7i2.7809

Abstract

Perancangan interior Study Room Café diSurakarta merupakanfasilitaspublicsebagaisaranatempatuntukbelajar, bekerja, ataumengadakan meeting dengansuasanakafe yang dirancangmenggunakantemalego dan gaya modern kontemporer. Perancanganinibertujuanuntukmenghasilkandesain interior yang dapatmemenuhikebutuhanpelajar, mahasiswa, dan pekerjalepas yang membutuhkantempatfleksibel, nyaman, dan santaidalambekerja. Metodeperancangan yang digunakanmeliputitahapan input, sintesis, dan output. Perancanganinimenerapkankonsepmixed usebuilding,yaitupenggabunganduaataulebihfungsiruangkedalamsatubangunan, yang meliputikafesebagaitempatmakansertaminum, ruangbelajar, dan ruangmeetingsebagairuangbekerja. Pola dan warnakhaslegodisesuaikandengangaya modern kontemporer yang memilikibentuk yang sederhana dan warnanetral. Perpaduanpenggunaan material alami dan buatandapatmemberikankesan modern. Fasilitasruang yang disediakan pada perancanganiniantara lain: counter area, kafe, study room, ruangmeeting, dapur, kantor, gudang, mushola, dan toilet.
Perancangan Interior Study Room Cafe di Surakarta Dewi, Adinda Amartya Sukma; Budiwiyanto, Joko
SULUH: Jurnal Seni Desain Budaya Vol 7, No 2 (2024)
Publisher : Universitas Islam Nahdlatul Ulama Jepara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34001/jsuluh.v7i2.7810

Abstract

Perancangan interior Study Room Café diSurakarta merupakanfasilitaspublicsebagaisaranatempatuntukbelajar, bekerja, ataumengadakan meeting dengansuasanakafe yang dirancangmenggunakantemalego dan gaya modern kontemporer. Perancanganinibertujuanuntukmenghasilkandesain interior yang dapatmemenuhikebutuhanpelajar, mahasiswa, dan pekerjalepas yang membutuhkantempatfleksibel, nyaman, dan santaidalambekerja. Metodeperancangan yang digunakanmeliputitahapan input, sintesis, dan output. Perancanganinimenerapkankonsepmixed usebuilding,yaitupenggabunganduaataulebihfungsiruangkedalamsatubangunan, yang meliputikafesebagaitempatmakansertaminum, ruangbelajar, dan ruangmeetingsebagairuangbekerja. Pola dan warnakhaslegodisesuaikandengangaya modern kontemporer yang memilikibentuk yang sederhana dan warnanetral. Perpaduanpenggunaan material alami dan buatandapatmemberikankesan modern. Fasilitasruang yang disediakan pada perancanganiniantara lain: counter area, kafe, study room, ruangmeeting, dapur, kantor, gudang, mushola, dan toilet.
PERPADUAN JAWA-EROPA KEARTISTIKAN INTERIOR DALEM WURYANINGRATAN Budiwiyanto, Joko
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4738.045 KB) | DOI: 10.33153/acy.v1i1.31

Abstract

This article is a part of research result about Architecture Profile of Prince’s fashion: “The Artistic Value of Interior of Dalem Wuryaningratan of Kasunanan Palace Surakarta”. The research objective is to reveal the artistic value of interior of Dalem Wuryaningratan. The research result shows that in the matter of the artistic of its interior design, dalem pangeran always oriented toward symbolic classification based on two, four, and eight. The view of classification two always manifested with kiwa-tengen, atas-bawah, or loroning-atunggal is always combined with something bigger and absolute. The view is not contrast; it is a relationship between two different things but it is harmonious. The balance controller is a point in the middle (the third point) which is absolute or God. Symmetric conception in interior element design shows the meaning of harmony. The conception is a manifestation from the meaning of balance with a purpose to reach the harmony of live, which means living harmoniously each other, living harmoniously with nature, and living harmoniously with God. The dualism conception is reflected in the room structure, door, window and colonnade/saka arrangement, and even in the structuring of furniture.
GAYA INTERIOR RUMAH DINAS BUPATI BLITAR Attamami, Mohammad Nur Farchan; Budiwiyanto, Joko
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v12i1.3197

Abstract

The research entitled Interior Style of the Blitar Regent's Official House aims to determine the interior style of the house. Blitar was originally the kingdom of the Surakarta Sunanate. In 1830, the Surakarta Sunanate began to hand over Blitar to the Dutch as a consequence of Dutch assistance to the Kasunanan after the end of the Diponegara War. The Dutch government subsequently appointed a new regent as the ruler of Blitar complete with government support facilities, including the regent's official residence. The uniqueness of the official residence of the Blitar Regent is that it was built by combining the Surakartanan and Dutch styles to produce a new interior style. To achieve the goal, a descriptive qualitative research method is used with an interior style approach. The sources used in this research are sources, literature data, places/buildings, and pictures. The interior of the Blitar Regent's official residence is a combination of Javanese style and Dutch style called Indis style. The application of the Javanese style can be found in the arrangement of spaces, space zoning, and direction towards space. From a visual point of view, the Javanese style is more prominent in the front room area, especially the pendapa with the form of an open space composed of saka and the use of Javanese-style ornaments. The Indies style is more prominent in the main house area. Indische style in the main house can be seen from the space plan and the elements that form the space, especially the pillars lining the veranda area and the shape of the towering buildings. The Javanese style that appears on the front is the government's attempt at that time to show that Blitar is still part of Javanese society, especially the Surakarta Sunanate Kingdom. The colonial-style manifestation of the main house was an attempt by the Colonial government to show that the Blitar government was under the control of the colonial government at that time. AbstrakPenelitian dengan judul Gaya Interior Rumah Dinas Bupati Blitar bertujuan untuk mengetahui gaya interior pada rumah tersebut. Blitar pada awalnya merupakan wilayah kerajaan Kasunanan Surakarta. Pada tahun 1830, Blitar mulai diserahkan oleh Kasunanan Surakarta kepada Belanda sebagai konsekuensi atas bantuan Belanda kepada Kasunanan setelah berakhirnya Perang Diponegara. Pemerintah Belanda selanjutnya mengangkat bupati baru sebagai penguasa Blitar lengkap beserta fasilitas pendukung pemerintahan, di antaranya adalah rumah dinas bupati. Keunikan rumah dinas Bupati Blitar adalah dibangun dengan menggabungkan gaya Surakartanan dan Belanda sehingga menghasilkan gaya interior baru. Untuk mencapai tujuan digunakan metode penelitian kualitatif deskriptif dengan pendekatan gaya interior. Sumber-sumber yang digunakan dalam penelitian ini adalah narasumber, data literatur, tempat/bangunan, dan gambar. Interior rumah dinas Bupati Blitar merupakan gabungan gaya Jawa dan gaya Belanda yang disebut gaya Indis. Penerapan gaya Jawa terdapat pada susunan ruang, zonasi ruang, serta arah hadap ruang. Dari segi visual gaya Jawa lebih menonjol pada area ruang depan terutama pendapa dengan bentuk ruang terbuka yang disusun oleh saka-saka serta digunakannya ornamen-ornamen bergaya Jawa. Adapun gaya Indis lebih menonjol pada area rumah Induk. Gaya Indis pada rumah Induk dapat dilihat dari denah ruang serta elemen pembentuk ruang, terutama adanya pilar-pilar yang berjajar di area beranda (teras) serta bentuk bangunan yang tinggi menjulang. Gaya Jawa yang nampak di bagian depan merupakan usaha pemerintah pada masa itu untuk menunjukkan bahwa Blitar masih bagian dari masyarakat Jawa, khususnya Kerajaan Kasunanan Surakarta. Wujud gaya Kolonial pada rumah induk merupakan usaha pemerintah Kolonial untuk menunjukkan bahwa pemerintah Blitar berada dalam kendali pemerintah kolonial pada masa tersebut.
BENTUK DAN MAKNA GEBYOG ÉMPÉR RUMAH TRADISIONAL JAWA Budiwiyanto, Joko
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i1.3653

Abstract

The background of this research is that the Javanese house gebyog has a variety of shapes, is beautiful, but has almost the same pattern. The shape and size of the gebyog always follow the size of the Javanese house. The number of gebyog is always odd. However, not all Javanese houses use gebyog émpér. Only Javanese houses in rural areas with closed pendhapas have gebyog émpér. The relationship between the form of gebyog émpér and the spatial pattern of a traditional Javanese house in the meaning that is hidden behind its beauty is interesting. This study aims to determine the form and meaning of the Javanese house gebyog émpér. The research strategy uses qualitative. The research locations include the cities of Surakarta, Wonogiri, Sragen, Sukoharjo, Klaten, and Karanganyar. Sources of data extracted include informants and artifacts. Data collection techniques used in-depth interviews and observation techniques. The analysis technique uses interactive techniques. The results of the study are as follows, the pattern of gebyog forms is varied and symmetrical. Gebyog èmpèr controls the entrance from an unlimited free area to a restricted space due to possession and more.
BENTUK, FUNGSI, DAN MAKNA LUKISAN PADA INTERIOR ALTAR GEREJA ST. ANTONIUS KOTABARU YOGYAKARTA Nugraheni, Regina Ratih; Budiwiyanto, Joko
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 1 (2022): Brikolase Juli 2022
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i1.4238

Abstract

This research is motivated by Catholics who come to church increasingly do not understand the meaning and message contained in the church building, even though the symbols and everything contained in the church building are made not only as decoration, but every part in the church has meaning. related to Catholic life. One church that has a message framed in the form of a painting in its interior is the Catholic Church of St. Antonius in Kotabaru, Yogyakarta. The paintings on the walls of this church have very interesting forms, functions, and meanings because they are related to the contents of the holy book of the Gospel of John. This study aims to determine the form, function, and meaning of the painting on the interior of the altar of the Catholic Church of St. Antonius Kotabaru, Yogyakarta. The results of the study are as follows, the form of painting on the church wall is a decorative painting. The function of painting is to beautify the interior of the church room, as an identity for the Catholic church that uses elements of regional inculturation in the interior of the room, and as a medium of da'wah in introducing the holy book of the Gospel of John to Christians. The form of the painting has a meaning, that a leader should know the needs of the community, just as Jesus knew the needs of his people.
Fraktal Geometri sebagai Sumber Ide Perancangan Interior Mental Healthcare Clinic di Yogyakarta Ramadhanty, Nurina; Budiwiyanto, Joko
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.4897

Abstract

Interior Design Mental Healthcare Clinic in Yogyakarta is a facility designed as a mental health service, especially to overcome stress disorders, depression, schizophrenia, and addictive substance use disorders. This Mental Healthcare Clinic is in the form of an outpatient clinic that provides diagnosis, therapy, and prevention services for mental health disorders carried out by the disciplines of psychiatry, psychology, and social work. This design aims to design the interior of the Mental Healthcare Clinic as a facility for people with mental health disorders that is safe, comfortable and informative, and applies the theme of geometric fractal patterns in a contemporary style. The design method used includes the input, synthesis and output stages. Design results in the form of Interior Design for Mental Healthcare Clinic which has lobby facilities, multipurpose room, café, consul room, fitness therapy room, children's speech therapy room, child sensory integration therapy room, art therapy room, pharmacy, and management office
BENTUK, FUNGSI, DAN MAKNA LUKISAN PADA INTERIOR ALTAR GEREJA ST. ANTONIUS KOTABARU YOGYAKARTA Nugraheni, Regina Ratih; Budiwiyanto, Joko
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 1 (2022): Brikolase Juli 2022
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i1.4238

Abstract

This research is motivated by Catholics who come to church increasingly do not understand the meaning and message contained in the church building, even though the symbols and everything contained in the church building are made not only as decoration, but every part in the church has meaning. related to Catholic life. One church that has a message framed in the form of a painting in its interior is the Catholic Church of St. Antonius in Kotabaru, Yogyakarta. The paintings on the walls of this church have very interesting forms, functions, and meanings because they are related to the contents of the holy book of the Gospel of John. This study aims to determine the form, function, and meaning of the painting on the interior of the altar of the Catholic Church of St. Antonius Kotabaru, Yogyakarta. The results of the study are as follows, the form of painting on the church wall is a decorative painting. The function of painting is to beautify the interior of the church room, as an identity for the Catholic church that uses elements of regional inculturation in the interior of the room, and as a medium of da'wah in introducing the holy book of the Gospel of John to Christians. The form of the painting has a meaning, that a leader should know the needs of the community, just as Jesus knew the needs of his people.
PELATIHAN DAN PENDAMPINGAN PEMBUATAN ALAT PERAGA EDUKASI DENGAN PRINSIP 4R UNTUK PEMBERDAYAAN GURU RA AT TAQWA SAPEN, MOJOLABAN, SUKOHARJO, JAWA TENGAH: Alat Peraga Edukasi Rosalina, Neni Nurul; Indarto, Indarto; Budiwiyanto, Joko
Abdi Seni Vol. 16 No. 1 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i1.6505

Abstract

The Art-related Community Service Program at the kindergarten of Raudhatul Athfal At-Taqwa (RA At-Taqwa) aims to foster creativity in artwork creation and improve the skills and competencies of RA teachers in utilizing waste as materials for making Educational Teaching Aids/Games (APE). This approach carries the concept of safety for children, which is environmentally friendly, sourced from materials that are easily obtained from the surrounding environment, with low manufacturing costs, and the application of the 4R principle (Reduce, Reuse, Recycle, Replace). The implementation method includes training, mentoring, and demonstrations to RA At-Taqwa teachers. The implementation strategy goes through Participatory Action Research (PAR) emphasizing empowerment, where teachers are encouraged to increase their creativity in utilizing used materials as an alternative for making APE. This program is also expected to have a positive impact on the school environment by reducing the amount of waste produced and increasing awareness of the importance of maintaining cleanliness and environmental sustainability. The problem faced by partners is the lack of utilization of children's creative potential in the learning process. The limited use of APE has not optimally developed children's creative potential.  This shows that there is still a gap between the potential of children's creativity and the use of available resources in learning. Thus, training and mentoring on the use of used goods is one solution as a means to stimulate and develop children's creativity in the teaching and learning process.
World Dance Day: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts Rosmiati, Ana; Supriyanto, Supriyanto; Budiwiyanto, Joko; Mulyadi, Tubagus
Gelar: Jurnal Seni Budaya Vol. 20 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4564

Abstract

The research entitled " World Dance DAay: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts" was conducted to explore the strengths in maintaining the existence of traditional arts, which began to shift with the introduction of Western culture. World Dance Day was a dance event with a duration of 24 hours. This event had been going on for several years. It had become a routine agenda at ISI Surakarta by involving the public, community, art activists, cultural observers, foreign participants, and others. World Dance Day could be used as branding in building ISI Surakarta amid competition among higher education institutions. Organized events could be media promotions both domestically and internationally. This event was held once a year in April, on the 29th. The problem in this research was how to maintain the existence of traditional arts through the activation of World Dance Day and brand World Dance Day activation as a medium for introducing art. The purpose of the research was to find ways to maintain the existence of traditional arts through the World Dance Day activation and to find ways to make World Dance Day branding activation a medium for introducing dance arts to the community. This type of research was qualitative descriptive research. The data source in this study was primarily data source in the form of World Dance Day activation. The monitoring method was carried out by identifying the types of activation included in World Dance Day. Data were obtained from the World Dance Day activation. Researchers directly observed the World Dance Day activation and saw Youtube and other social media. The result of this research was to find ways to maintain the existence of traditional arts through World Dance Day activation. Apart from that, they also carried out branding in the form of World Dance Day activation as a medium for introducing dance arts to the community.
Co-Authors Ana Rosmiati Attamami, Mohammad Nur Farchan Dewi, Adinda Amartya Sukma Indarto Indarto Mulyadi, Tubagus Nugraheni, Regina Ratih Ramadhanty, Nurina Rosalina, Neni Nurul Supriyanto Supriyanto