The Kiss
The Kiss, oil and gold leaf painting by Gustav Klimt that was completed in 1909. It is considered to be one of the best paintings of the Vienna Sezession and is perhaps the most popular of Klimt’s works.
Klimt studied at the Vienna School of Decorative Arts, and his early work was typical of the academic painting of the late 19th century. However, in 1897 he founded the Sezession in Vienna, a group of artists who rejected academic art and favored a highly decorative style. The Vienna Sezession of 1900 connected with members of the Glasgow School, including Charles Rennie Mackintosh, Margaret MacDonald (Mackintosh’s wife), Frances Macdonald (sister of Margaret MacDonald), and Herbert MacNair (Francis MacDonald’s husband). The Four, as they were called, were to influence the direction of European art and craft. Although Klimt left the Sezession in 1905, he was influenced by Margaret Macdonald, whose linear style included the use of semiprecious gems.
Klimt had attempted the subject of fulfillment before, most notably in the final panel of the Beethoven Frieze of 1902, which refers to a phrase from Friedrich Schiller’s hymn “An die Freude” (“Ode to Joy”), “the kiss to the whole world.” Klimt turned Schiller’s wider political meaning into something much more personal and located the embrace in a womblike space, which remains in The Kiss. Here it is decorated with circular biomorphic forms that are echoed in the woman’s dress. By contrast, the man’s robe is decorated with strong, rectangular shapes.
The image is so seductive that it is easy to miss the other, proto-Expressionist element of Klimt’s style, which can be seen in the oddly bent toes and contorted hand of the woman. This expressive graphic style sits provocatively alongside the voluptuous decorative excess in Klimt’s work and led to many of his previous works, particularly Medicine, Jurisprudence, and Philosophy, three allegorical murals he painted for the ceiling of the University of Vienna auditorium, being received with revulsion. However, it was this aspect of his work that influenced his younger contemporaries.