Troubling Times and the Urgency to Adapt

Revista Científica Arbitrada de la Fundación MenteClara, 2019

This editorial describes our journal’s evolution since 2016 as well as the actions taken by the editorial committee to achieve objectives that have allowed us to be among the leading journals in the world. It also presents our goal for 2020: To keep on funding authors by covering the processing, editing, and layout charges and to allocate more financial resources to fund authors’ research devoted to make visible problems and solutions related to suffering caused by social inequalities.

Pause.Fervour. Reflections on a Pandemic, 2021

Initiated by the COVID-19 crisis, Pause. Fervour. Reflections on a Pandemic is a collaborative effort by the Harun Farocki Institut, Journal of Visual Culture, and all the project’s contributors. At the beginning of the first wave, an invitation/call for participation was sent out to artists, designers, editors, collaborations and collectives, activists, educators, curators, filmmakers, administrators, culture workers, and scholars of Anthropology, Architecture, Critical Legal Theory, Art History, Museology, Critical Race Theory, Design and Urban Studies, Environmental Studies, Philosophy, and Visual Cultures. The call was sent to Journal of Visual Culture’s Editorial Board, and a wide selection of previous contributors and members of its extended communities, describing the task as follows: ‘The SARS-Cov-2 crisis is, will be, and will have been so many things – a disastrous event of unknown scale, an individual and collective tragedy, a historical turning point, a huge biopolitical experiment, and so much more. At the same time, attempts to act responsibly, caringly, solidarily in the face of this global catastrophe are overwhelming. The planetary dimension of the crisis seems to put everything into question, likewise affecting the knowledge production, visual practice, critical theory, political organizing, scholarly enterprises, research communities to which we are committed (and which are experiencing existential and epistemological shockwave after shockwave on a daily basis). There is a lot of spontaneous, ad hoc opinion-making and premature commentary around, as to be expected. However, the ethics and politics of artistic and theoretical practice to be pursued in this situation should oblige us to stay cautious and to intervene with care in the discussion.’ As one of JVC’s editors put it in our informal conversations: ‘We are not looking for sensationalism, but rather, moments of reflection that: make connections between what’s happening now and the larger intellectual contexts that our readership shares; to offer small ways to be reflective and to draw on tools we have and things we know instead of just feeling numb and overwhelmed; help serve as intellectual community for one another while we are isolated; support the work of being thoughtful and trying to find/make meaning…which is always a collective endeavour, even if we are forced to be apart.’ As we were forced to be apart, joining forces in this collective endeavour made this a project in mutual aid. The 48 contributions secured are arranged here into four sections on: the pandemical logic of very late capitalism; lockdown life; biopolitics and governmentality; and new ways of caring. Equal part powerful and moving, angry and heartbreaking, righteous and desperate, hopeless and demanding of a better future, together this polyphony posits if not an actual antidote then certainly abundant curative reflections to the disease and ways we might navigate this on going crisis. Contributors: Danah Abdulla; Elisa Adami; Alexandra Délano Alphonso; Edinson Arroyo; Art Catalyst with Gary Zhezi Zhang and Valeria Graziano, Marcell Mars, and Tomislav Medak (Pirate Care); Oreet Asheery; Nika Autor; Daniel A. Barber; Jordan Baseman; Dave Beech; Sara Blaylock; Katarzyna Bojarska; Kimberly Juanita Brown; Eray Çayli; Teresa Cisneros; Tom Corby; David Dibosa; Death Class; Ruth Ewan; Alessandra Ferrini; Janine Francois; Lina Hakim; Juliet Jacques; Kelene Hazan; Dean Kenning; Margareta Kern; Lana Lin and H. Lan Thao Lam; Yve Lomax; Laura U. Marks; Shannon Mattern; Jordan McKenzie; Joel McKim; Vladimir Milandinović and Stephanie Young; Philip Miller and Maros Martins; Hana Noorali and Lynton Talbot; Bahar Noorizadeh; The Partisan Social Club; Andreas Philippouloulos-Mihalopoulos; Pil and Galia Kollektiv; Plastique Fantastique; Amit S. Rai; John Paul Ricco; Vanessa Schwartz; Jelena Stojković; Jon Thomson and Alison Craighead; Atej Tutta and Valeria Cozarini; Isobel Wohl; and Andrea Luka Zimmerman. Pause. Fervour. Reflections on a Pandemic is co-published by the Harun Farocki Institut and Journal of Visual Culture, designed by Simon Pavič, and edited by Manca Bajec, Tom Holert, and Marquard Smith.

In the summer of 2013 I was asked by the Gaudeamus Muziekweek (Utrecht, The Netherlands) to become one of the panelists for their seminar entitled “Crisis?!? This is how I keep composing…” The prompt seemed to be charged with so many things to be discussed. Since it seemed impossible to be allowed to fully articulate my points in mere 50 minutes, especially as there would be other panelists, I decided to write a response to the prompt.

2021

Intelligent Buildings International, 2020

Huffington Post, 17 March 2017 - Even by the standards of its troubled past, the academic purges sweeping Turkey today are unprecedented in scope and intensity.

2021

Studies in East European Thought

Language, 2004

Revista de Comunicación vol. 24 N°1, 2025